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Andrew J. Ball

American silent cinema, and in this issue we are pleased to present Olivier Delers's article on transmediality in Paul Chan's art project Sade for Sade's Sake . These two issues also give us a glimpse into many of the topics we will prioritize in the

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John Gillespie and Sarah Richmond

, looks at desire and sadism, examining the latter’s patterns in his sexual relationships, and finding a move towards Simone de Beauvoir’s position as expressed in her book on Sade about the ‘ambiguous unity’ of the sexual relationship. Freedom, counter

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Representations of Women in the French Imaginary

Historicizing the Gallic Singularity

Jean Elisabeth Pedersen

striking defense of a certain view of sexual freedom, she highlighted her concerns about artistic censorship: “J'ai enfin signé ce texte pour une raison qui, à mes yeux, est essentielle: le danger des nettoyages dans les arts. Va-t-on brûler Sade en Pléiade