Bhabha identifies as the “liminal movement of the culture of the nation,” posing in its “strategy of intervention,” a “supplementary question” that may “disturb the calculation” (1994: 222), in this case, of the family. In the restratification of new
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Kaoru Miyazawa
through precise planning and calculation, the goals and paths of this new collective journey are unpredictable and uncertain. However, it is a worthwhile risk to take. Acknowledgments I would like to express my gratitude to Dr. Nancy Lesko for guiding my