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Ana Miškovska Kajevska

antinationalist.” 23 It was not due to my intentional strategy of deception that I did not pose this question to the other three Belgrade ‘nationalist’ feminists. The laden character of the term “nationalist” and the, compared to Zagreb, much more covert war

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Adriana Zaharijević, Kristen Ghodsee, Efi Kanner, Árpád von Klimó, Matthew Stibbe, Tatiana Zhurzhenko, Žarka Svirčev, Agata Ignaciuk, Sophia Kuhnle, Ana Miškovska Kajevska, Chiara Bonfiglioli, Marina Hughson, Sanja Petrović Todosijević, Enriketa Papa-Pandelejmoni, Stanislava Barać, Ayşe Durakbaşa, Selin Çağatay, and Agnieszka Mrozik

write their story or pursue their research interest” (14). These examples clearly show how deception (not to mention a dose of cynicism and feelings of antagonism and superiority over research subjects) was built into the very structure and process of