means exclusive, conversation. Notes 1 Elizabeth King, ‘Perpetual Devotion: A Sixteenth-Century Machine That Prays’, in Genesis Redux: Essays in the History and Philosophy of Artificial Life , ed. Jessica Riskin (Chicago: University of Chicago Press
Creative Critical Shakespeares
Rob Conkie and Scott Maisano
Adrian van den Hoven
This collection of twenty-one articles by thirteen American, six British, and two Canadian scholars is divided into four sections: Sartre and Philosophy; Sartre and Psychology; Sartre: (Auto)biography, Theater, and Cinema; and, finally, Sartre and Politics. The great diversity of approaches and commentaries is a tribute to the stature of Sartre, whose writings continue to have an impact on the English-speaking world and farther afield.
Phyllis Sutton Morris, co-founder of the Sartre Society of North America and member of its executive committee for several years, died on May 31, 1997 from complications due to cancer. Phyllis received her undergraduate degree in philosophy from the University of California at Berkeley and her doctorate from the University of Michigan. She taught for several years at Kirkland College in New York and was, at various times in more recent years, on the faculty at LeMoyne College, Oberlin College, and the University of Michigan. She was a devoted teacher who dedicated a great deal of time and energy to preparing her classes and to meeting with students.
The first issue of volume four of Sartre Studies International exemplifies the full range of Sartre’s intellectual output: literary, philosophical and political. Three articles by Colin Davis, Edward Greenwood and Paul Reed are centred on the multiple interactions in Sartre’s work between philosophy and literature. In a penetrating analysis of Sartre’s Le Mur, Colin Davis explores the complex relationship between ethics and fiction, between Moral Law and jouissance. ‘The lie of Sartre’s narrator in “Le Mur”’, contends Davis, ‘represents a way of sharing the pain of his/her powerlessness and mortality’, and is coincidental with ‘an assault through fiction on the reader whose power to judge and comprehend is wrested away’.
Jean Elisabeth Pedersen
“What is a nation?” Ernest Renan’s famous rhetorical question to an audience at the Sorbonne on 11 March 1882 has remained vital for a wide variety of scholars in fields as diverse as history, literary criticism, sociology, philosophy, and political science. Renan initially posed the question barely ten years after the close of the Franco-Prussian War, which had sparked the establishment of the French Third Republic, the unification of Germany under the leadership of Wilhelm I, and the transfer of the disputed territory of Alsace-Lorraine from French to German control in the months between July 1870 and May 1871. Renan made no overt mention of these events while he was speaking, but he rejected any possible answer to his question that might attempt to base the creation of nations and national identities on shared “race, language, [economic] interests, religious affinity, geography, [or] military necessities.” This explicit refusal constituted an implicit rejection of the entire range of German justifications for the acquisition of the two recently French border provinces.
Thomas R. Flynn
We are celebrating the centennial year of the birth of Jean-Paul Sartre (1905-1980). His death and the huge funeral cortege that spontaneously gathered on that occasion marked the passing of the last of the philosophical "personalities" of our era. Contrast, for example, his departure, which I did not witness, with that of Michel Foucault, which I did. The latter was acknowledged in a modest ceremony at the door of the Salpêtrière Hospital; his private funeral in the province was even more stark. The two passings exhibit the distinction graphically. Foucault, the most likely candidate to become Sartre's successor as reigning intellectual on the Left Bank, exited the institution that had figured in several of his books attended by a small crowd of a couple hundred, admittedly assembled without public notification, on a damp morning to hear Gilles Deleuze read a brief passage from the preface to The Uses of Pleasure. Describing philosophy as "the critical work that thought brings to bear on itself," the message had an ironically haunting Sartrean ring.
John Gillespie and Katherine Morris
issue provides clear evidence that Sartre's influence on contemporary philosophy remains considerable. Indeed, in recent issues of Sartre Studies International , the majority of articles relate to his philosophy, his influence on or relation to other
David Detmer and John Ireland
This issue of Sartre Studies International underscores Sartre’s extraordinary versatility, as it contains groundbreaking research and informative writing on his activities in politics, literature, and philosophy. By focusing on two pivotal events
Thinking with Sartre
Edited by John H. Gillespie and Sarah Richmond
with the contemporary world and his committed political involvement. In doing so, Sartre shows his tactical awareness in defining his position in relation to other thinkers and philosophies, linking the literary, the political, the philosophical and the
John Gillespie and Katherine Morris
. Whereas recent issues have testified to the breadth of Sartre's work, the focus this time is on Sartre's early philosophy, mainly, but not exclusively, on L'Etre et le néant . First, Matthew Eshleman and Adrian van den Hoven have both offered full