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Claudia Mitchell

The concerns addressed by the authors in this issue point to the need for a reimagining of girlhood as it is currently framed by settler and carceral states. To quote the guest editors, Sandrina de Finney, Patricia Krueger-Henney, and Lena Palacios, “The very notions of girl and girlhood are embedded in a colonial privileging of white, cis-heteropatriarchal, ableist constructs of femininity bolstered by Euro-Western theories of normative child development that were—and still are—violently imposed on othered, non-white girls, queer, and gender-nonconforming bodies.” Indigenous-led initiatives in Canada, such as the Networks for Change: Girl-led ‘from the Ground up’ Policy-making to Address Sexual Violence in Canada and South Africa project, highlighted in four of the eight articles in this issue, along with the insights and recommendations offered in the articles that deal with the various positionalities and contexts of Latinx and Black girls, can be described as creating a new trail. In using the term trail, here, I am guided by the voices of the Indigenous researchers, activists, elders, and community scholars who participated in the conference called More Than Words in Addressing Sexual and Gender-based Violence: A Dialogue on the Impact of Indigenous-focused, Youthled Engagement Through the Arts on Families and Communities held in Montreal. Their use of the term trail suggests a new order, one that is balanced between the ancestors and spiritual teachings on the one hand, and contemporary spaces that need to be decolonized on the other with this initiative being guided by intergenerationality and a constant interrogation of language. The guest editors of this special issue and all the contributors have gone a long way on this newly named trail.

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John Ireland and Constance Mui

We are thrilled, on the occasion of the 25th anniversary of Sartre Studies International, to publish for the first time in English (thanks to Dennis Gilbert’s initiative and perseverance) two interviews on theater given by Sartre to Russia’s oldest continually running theater journal, Teatr, whose first issues date from the 1930s. Six years apart, these two interviews give us the flavor of Sartre addressing a Soviet audience, in early 1956, just before Russian tanks rolled into Hungary and then again in early 1962, as France negotiated its exit out of the disastrous Algerian War. While these interviews intersect at times with remarks made by Sartre in interviews and lectures during the same period in France (the need for theater to become a truly popular forum, the importance of Brecht as a model of politically engaged theater, etc.), the tone of the two interviews (the first in particular) is different, as Sartre seeks to connect with a socialist audience. These interviews also break new ground. Discussing contemporary playwrights, Sartre demonstrates, for example, his familiarity with Kateb Yacine and Algerian theater. More unexpectedly, addressing Russian readers, Sartre offers a much more positive assessment of Jean Vilar’s Théâtre National Populaire than he ever formulated in France. In short, beyond their content, these interviews help us appreciate even more the importance of the situation shaping Sartre’s pronouncements at any given moment.

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Ted Nannicelli

This issue of Projections features an impressive diversity of research questions and research methods. In our first article, Timothy Justus investigates the question of how film music represents meaning from three distinct methodological perspectives—music theory, cognitive psychology, and cognitive neuroscience. Following a model of naturalized aesthetics proposed by Murray Smith in Film, Art, and the Third Culture (see the book symposium in Projections 12.2), Justus argues for the importance of “triangulating” the methods and approaches of each field—more generally, of the humanities, the behavioral sciences, and the natural sciences. Our second article, by Gal Raz, Giancarlo Valente, Michele Svanera, Sergio Benini, and András Bálint Kovács, also explores the effects fostered by a specific formal device of cinema—in this case, shot-scale. And again, distinct research methods are put to complementary use. Raz and colleagues’ starting point is a desire to empirically test a hypothesis advanced by art historians Alois Riegl and Heinrich Wölfflin. To do this, they apply a machine-learning model to neurological data supplied by a set of fMRI scans. Methodology is the explicit topic of our third article, by Jose Cañas-Bajo, Teresa Cañas-Bajo, Juri-Petri Valtanen, and Pertti Saariluoma, who outline a new mixed (qualitative and quantitative) method approach to the study of how feature films elicit viewer interest.

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Jason Gendler

Teacher. Mentor. Dissertation committee member. Advocate. Colleague. Friend. These are the many roles that Ed Branigan filled in my life over the eleven-plus years I was privileged to know him. However, merely listing these roles does not really do justice to his impact on me, because it leaves out the kindness, generosity, wit, and enthusiasm that he always had in store for me in all of our interactions, be they post-lecture dinners together in Santa Barbara, movie marathons at his house in Oak Park, California, or, as was more and more common over the last few years, e-mail messages.

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Marlene Laruelle

Russia is unique on the circumpolar landscape in that indigenous communities constitute only a small percentage of its Arctic population. Whereas they represent 80 percent of Greenland’s population, 50 percent of Canada’s, 20 percent of Alaska’s, and 15 percent of Norway’s Arctic regions, they make up less than 5 percent of the population of Arctic Russia. Although indigenous peoples have a more solid demography than Russians and have therefore seen their share of the Arctic population slowly increase over the past two decades, their rights remain fragile. Moscow does not consider the Arctic to have a specific status due to the presence of indigenous peoples, and its reading of the region is still very much shaped by the imperial past, the memory of an easy conquest (osvoenie) of territories deemed “unpopulated,” and the exploitation of the region’s subsoil resources.

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Introduction

Agri-cultures in the Anthropocene

Martin Skrydstrup and Hyun-Gwi Park

Today when we think about climate change and Greenland, we do not think about agriculture, but of the melting ice. Perhaps the most evocative articulation of this connection was made in December 2015, when Paris was hosting the United Nations Climate Change Conference, or COP21. At this event, artist Olafur Elisasson and geologist Minik Rosing exhibited their art installation Ice Watch at the Place du Pantheon: a circle of icebergs with a circumference of twenty meters, which resembled a watch ticking and/or a compass providing orientation for the world’s leaders in the palm of Paris. The ice had been transported by tugboat from the harbor of Nuuk—Greenland’s capital—to France. The captain of the tugboat was Kuupik Kleist, former prime minister of Greenland, who was quoted saying: “Ninety per cent of our country is covered by ice. It is a great part of our national identity. We follow the international discussion, of course, but to every Greenlander, just by looking out the window at home, it is obvious that something dramatic is happening” (Zarin 2015).

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Sandrina de Finney, Patricia Krueger-Henney and Lena Palacios

We are deeply honored to have been given the opportunity to edit this special issue of Girlhood Studies, given that it is dedicated to rethinking girlhood in the context of the adaptive, always-evolving conditions of white settler regimes. The contributions to this issue address the need to theorize girlhood—and critiques of girlhood—across the shifting forces of subjecthood, community, land, nation, and borders in the Western settler states of North America. As white settler states, Canada and the United States are predicated on the ongoing spatial colonial occupation of Indigenous homelands. In settler states, as Eve Tuck and K. Wayne Yang remind us, “the settler never left” (2012: 20) and colonial domination is reasserted every day of active occupation. White settler colonialism functions through the continued control of land, resources, and racialized bodies, and is amalgamated through a historical commitment to slavery, genocide, and the extermination of Indigenous nationhood and worldviews. Under settler colonial regimes, criminal justice, education, immigration, and child welfare systems represent overlapping sites of transcarceral power that amplify intersecting racialized, gendered, sexualized, and what Tanja Aho and colleagues call “carceral ableist” violence (2017: 291). This transcarceral power is enacted through institutional and bureaucratic warfare such as, for example, the Indian Act, the school-to-prison pipeline, and the child welfare system to deny, strategically, Indigenous claims to land and the citizenship of racial others.

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Contemporary Megaprojects

An Introduction

Seth Schindler, Simin Fadaee and Dan Brockington

There is renewed interest in megaprojects worldwide. In contrast to high-modernist megaprojects that were discrete projects undertaken by centralized authorities, contemporary megaprojects are often decentralized and pursued by a range of stakeholders from governments as well as the private sector. They leverage cutting-edge technology to ‘see’ complex systems as legible and singular phenomena. As a result, they are more ambitious, more pervasive and they have the potential to reconfigure longstanding relationships that have animated social and ecological systems. The articles in this issue explore the novel features of contemporary megaprojects, they show how the proponents of contemporary megaprojects aspire to technologically enabled omnipresence, and they document the resistance that megaprojects have provoked.

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Bryan Loughrey and Graham Holderness

In this issue, Critical Survey continues to represent international scholarship and research, and to broaden the horizons of scholarship. Featuring authors from Britain, the United States, Australia, Jordan, the Sultanate of Oman and the Republic of Ireland, the issue ranges from early modern to contemporary literature and culture, from Shakespeare to the literature and drama of contemporary Ireland.

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Editors' Note

The Split that Did Not Happen

Paul L. Scham and Yoram Peri

As all who attended the Association for Israel Studies conference this past June at Kinneret College now know, the only thing that resulted in unbearable heat was the temperature outdoors, not tempers around the tables. The discussion of “Word Crimes,” the title of the summer issue of Israel Studies, our sister publication, did not cause an irreparable split—or any split at all—in the AIS. There was a spirited and quite lengthy airing of the whole issue at the meeting of the Board of Directors on the Sunday before the conference began, at which various differing opinions were presented. But it was clear that it no longer appeared to be a make-or-break time for either the AIS or IS.