This article explores David Hume’s views on public credit, the state, and geopolitics as outlined in his Political Discourses. By drawing attention to Hume’s analysis of the speed of political economic dynamics, the article suggests the philosopher feared that public credit, a crucial source of eighteenth-century European economic growth, fundamentally revolutionized the pace of social relations, the mechanics of the state, and European geopolitics at large. Hume’s study of public credit highlighted its role in reshaping eighteenth-century visions of time, and the philosopher’s disappointment with his own solution, in turn, reinforces the need to consider the multifaceted effects of public credit in the modern world.
Time, Public Credit, and David Hume’s Political Discourses
EDWARD JONES CORREDERA
Modeling Emergent Socioecological Outcomes of Environmental Change
Thomas P. Leppard
How will human societies evolve in the face of the massive changes humans themselves are driving in the earth systems? Currently, few data exist with which to address this question. I argue that archaeological datasets from islands provide useful models for understanding long-term socioecological responses to large-scale environmental change, by virtue of their longitudinal dimension and their relative insulation from broader biophysical systems. Reviewing how colonizing humans initiated biological and physical change in the insular Pacific, I show that varied adaptations to this dynamism caused diversification in social and subsistence systems. This diversification shows considerable path dependency related to the degree of heterogeneity/homogeneity in the distribution of food resources. This suggests that the extent to which the Anthropocene modifies agroeconomic land surfaces toward or away from patchiness will have profound sociopolitical implications.
Livia Jiménez Sedano
This is a brief reflection on the consequences of the commodification of dance cultures from the former colonised world and the ways they are consumed in Europe. Inspired from ten years of fieldwork, the ethnic structuring of postcolonial dance floors in European cities proves an empirical basis to start this line of thought. Instead of promoting respect and interest in the dance forms and the cultural contexts in which these dance forms developed, aficionados tend to consider that these are less evolved, beautiful and interesting than the appropriations they develop in their home countries. As a result, commodification leads to reinforcing previous stereotypes and emic hierarchies of value. The kinetic metaphor of the bodies that scream but cannot listen structures the text and its arguments.
PETER DE BOLLA, EWAN JONES, PAUL NULTY, GABRIEL RECCHIA and JOHN REGAN
This article proposes a novel computational method for discerning the structure and history of concepts. Based on the analysis of co-occurrence data in large data sets, the method creates a measure of “binding” that enables the construction of verbal constellations that comprise the larger units, “concepts,” that change over time. In contrast to investigation into semantic networks, our method seeks to uncover structures of conceptual operation that are not simply semantic. These larger units of lexical operation that are visualized as interconnected networks may have underlying rules of formation and operation that have as yet unexamined—perhaps tangential—connection to meaning as such. The article is thus exploratory and intended to open the history of concepts to some new avenues of investigation.
Jean-Paul Gagnon and Selen A. Ercan
Democratic Theory’s eleventh issue (6, July 2019) features four new research articles as well as an interview, a critical commentary, a practitioner’s note and a book review. It begins with Stephanie Erev’s article, which explains neoliberalism’s assaults on democracy and nature. Working through Hayek, Erev suggests that opposing neoliberal extractivist culture from both the democratic and ecological standpoints “may offer the greatest promise for creative and collaborative struggles toward new worlds and new ways of life” today.
Elisabeth Timm and Patrick Laviolette
It is with a certain nostalgia and great sadness that we begin this issue by announcing the death of one of our journal’s founding editors, Prof. Christian Giordano [1945–2018], in the final days of last year – an obituary will be published in the next issue. With the passing of Ina-Maria Greverus in 2017, AJEC is now orphaned from its two founding editors. At a time when the Soviet Union was collapsing and Europe would begin facing even more drastic changes, Grevenus and Giordano had the collective vision in 1990 of launching the Anthropological Yearbook of European Cultures.
Mette Louise Berg, Elena Fiddian-Qasmiyeh and Johanna Waters
This second volume of Migration and Society marks our continued intellectual engagement with authors, artists, and guest editors to make the journal a dynamic platform for exchange and debate across disciplines and fields of thought and action around the issue of migration. Migration continues to be an ongoing issue of global import, and in the past few years we have seen powerful stakeholders around the world developing processes, dialogues, policies, and programs to respond to the challenges and questions that it raises. As editors of Migration and Society, we remain committed to the importance of fostering critical examinations of, and reflections on, migration and the way it is framed and understood by all actors. As these processes and policies have increasingly aimed to “control,” “manage,” “contain,” and “prevent” migration, the need for careful attention to migrants’ everyday practices, desires, aspirations, and fears is particularly urgent, as is the importance of situating these both historically and geographically.
Comics and Transnational Exchanges
The title of our journal implies there is such a thing as European comic art, even if in practice it is intended to indicate we focus on work produced (outside the United States) in European languages, leaving the fields of South East Asian and US comics to other publications in the discipline. However, European comics clearly have not developed in isolation from other comics traditions: from the earliest days, they have both impacted and absorbed influences from elsewhere: to cite an obvious example, Rudolph Dirks’s Katzenjammer Kids was modelled on Wilhelm Busch’s Max und Moritz, and both have served as templates for generations of mischievous children from Alain Saint-Ogan’s Zig et Puce, through Dennis the Menace, in both US and UK incarnations.
Spatialities and Materialities of ‘Gypsiness’
Andreea Racleș and Ana Ivasiuc
As one of the most stereotyped minorities, the Roma are particularly ‘good to think’ in relation to constructions of Europeanness. In the production of ‘Gypsiness’, the body, the space, and the materiality of the dwelling are linked through smell as signifiers of a racial and cultural inferiority that does not ‘belong’ in and to Europe. Drawing on research projects carried out in the outskirts of Rome and in a small Romanian town, our contribution relies on a juxtaposed ethnography of constructions of ‘Gypsiness’ in relation to the spatial, sensorial and material inscriptions of the body. The article will examine the relationship between space and the social production of smell, discussing how spaces inhabited by Roma play a role in ‘doing’ Europeanness in a contrastive mode.
Who Embodies europe? Explorations into the Construction of european Bodies
Anika Keinz and Paweł Lewicki
In this special issue we focus on processes of europeanisation and the work of colonial legacies and their impact on the production of the european body, a body that is always already racialised, classed and gendered. ‘european body’ can be observed in discourses and practices that constitute the normal/desired/legitimate body and concomitantly impacts notions about the civilised/cultured body, often linked to whiteness, secularism, legitimate class and gender performances. We ask to look back across pasts and into the present in order to explore who currently marks the boundaries of what is considered civilised, cultured, “normal” and comes to define what is considered a european body. What embodies the present, which and whose body epitomises europeaness and how does europeanisation generate (tacit) knowledge about the legitimate body?