act of locating, understood as an approach to capturing epistemologies in the making and to reflecting on the role and responsibilities of anthropology as a community of practice, will be used to understand how ‘performance’ was both studied and co
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Envisioning, Evaluating and Co-Enacting Performance in Global Health Interventions
Ethnographic Insights from Senegal
Diane Duclos, Sylvain L. Faye, Tidiane Ndoye, and Loveday Penn-Kekana
Introduction
Why Q1 Hamlet Matters
Terri Bourus
, a paperback anthology of revenge plays, textbooks designed for college students. Early in 2015, Zachary Lesser wrote a groundbreaking, award-winning history of the effect – on criticism, scholarship and performance – of the rediscovery of Q1. 1
Introduction
Performance, Power, Exclusion, and Expansion in Anthropological Accounts of Protests
Aet Annist
( Youngs 2017 ), we are offering this topical special section to analyze protests through an ethnographic lens. Concentrating on power and performance, the articles consider the matrix within which the protests emerge—the time and space, the historic and
Weapons for Witnessing
American Street Preaching and the Rhythms of War
Kyle Byron
responding to this imperative, street preachers transform streets, sidewalks, and other forms of urban infrastructure into sites of religious performance. 2 Referencing Filip De Boeck (2012) , Penny Harvey and Hannah Knox (2015: 5) describe
Returning to Nature
Post-carbon Utopias in Svalbard, Norway
Cecilie Vindal Ødegaard
the ‘unmaking’ of coal as a resource in Svalbard? And what notions about nature and society are played out in processes of dismantling and ‘returning’? At first glance, the ‘returning’ can appear as a multifaceted performance of separating matter
The Ontological Turn
Taking Different Worlds Seriously
Andrew Pickering
representational idiom. Instead, we need, in a performative idiom, to think about practice, performance, and agency—doing things—and I want to sketch out briefly how the analysis goes before returning to the question of different worlds. Scientists, I argue, are
Introduction
Cross-Cultural Articulations of War Magic and Warrior Religion
D. S. Farrer
Previous anthropology emphasized symbolic incantations at the expense of the embodied practice of magic. Foregrounding embodiment and performance in war magic and warrior religion collapses the mind-body dualism of magic versus rationality, instead highlighting social action, innovation, and the revitalization of tradition, as tempered historically by colonial and post-colonial trajectories in societies undergoing rapid social transformation. Religion and magic are re-evaluated from the perspective of the practitioner's and the victim's embodiment in their experiential life-worlds via articles discussing Chinese exorcists, Javanese spirit siblings, Sumatran black magic, Tamil Tiger suicide bombers, Chamorro spiritual re-enchantment, tantric Buddhist war magic, and Yanomami dark shamans. Central themes include violence and healing, accomplished through ritual and performance, to unleash and/or control the power of gods, demons, ghosts and the dead.
Conspicuous performances
Ritual competition between Christian and non‐Christian Hmong in contemporary Vietnam
Tâm T. T. Ngô
After recognising Hmong Protestantism, the Vietnamese state continued an ‘anti‐conversion’ politics. It did so by encouraging the revival of what they saw as traditional Hmong religion as a bulwark against Protestantism and by enriching the range of cultural commodities for the growing ethno‐tourism market. For the non‐converts, not only their resistance of Christianity began to be redefined as ‘the battle’ against Christianity, their belief and practices, up to then highly despised of by authorities, began to be restructured in order to gain new strength to rebound on the national and global religious stage. The new consciousness of the non‐Christian Hmong, however, worried the Vietnamese state. This contribution charts the annual competitions held since 2005 between Christian and non‐Christian groups in Lao Cai province in organising yearly Hmong communal rituals. It shows that what was meant to become a folklorised bulwark against Christianity became a new mêlée of ritual competition, as pioneering Hmong quickly seized the central stage. Ritual festivals thus become arenas of identity struggle in which none of the usual identity markers (secular, religious, communist, Christian, modern, traditional) can be taken at face value.
“One Is Not Born a Dramatist”
The Genesis of Sartre’s Theatrical Career in Writings to, with, and by Beauvoir
Dennis A. Gilbert
attract him to a career in dramatic writing and theatrical performance? This vast subject, the genesis of Sartre’s theatrical career, exceeds the limitations of this article. In the pages that follow, I focus only on the most revealing sources of this