responding to this imperative, street preachers transform streets, sidewalks, and other forms of urban infrastructure into sites of religious performance. 2 Referencing Filip De Boeck (2012) , Penny Harvey and Hannah Knox (2015: 5) describe
American Street Preaching and the Rhythms of War
Performance, Power, Exclusion, and Expansion in Anthropological Accounts of Protests
( Youngs 2017 ), we are offering this topical special section to analyze protests through an ethnographic lens. Concentrating on power and performance, the articles consider the matrix within which the protests emerge—the time and space, the historic and
Jeffrey Alexander, Bernhard Giesen and Jason Mast (eds.), Social Performance: Symbolic Action, Cultural Pragmatics and Ritual, Cambridge: Cambridge University Press, 2006, 374 pp.
Ron Eyerman and Lisa McCormick (eds.), Myth, Meaning, and Performance: Toward a New Cultural Sociology of the Arts, Boulder: Paradigm Publishers, 2006, 166 pp.
Hospitality, Inclusion, and Equality among the Layene of Senegal
Emily Jenan Riley
This article draws on in-depth ethnographic research with the Layene (People of God), a little-studied Sufi Muslim community based in Dakar, the present-day Senegalese capital. My analysis of everyday and ritual performances serves as a way to understand what it means to be Layene, a community guided by particular (re)interpretations of equality, community ethics, and religious practice and discourse. I focus primarily on how the Layene reinterpret the Wolof concept of teraanga (hospitality/prestation) as constituting a kind of ‘radical sharedness’, which is viewed as the ethical foundation of the Layene faith. My study uses ethnographic research with Layene community members, discourse analysis of written and spoken Layene sermons and sikr (invocations of God), and content from Layene community websites to examine how specific ritual performances bring about religious communion as well as social change.
Anthropocene as Science Fiction and Scholarship-in-the-Making
Heather Anne Swanson, Nils Bubandt, and Anna Tsing
How might one responsibly review a field just coming into being—such as that provoked by the term Anthropocene? In this article, we argue for two strategies. First, working from the premise that the Anthropocene field is best understood within its emergence, we review conferences rather than publications. In conference performances, we glimpse the themes and tensions of a field-to-come. Second, we interpret Anthropocene as a science-fiction concept, that is, one that pulls us out of familiar space and time to view our predicaments differently. This allows us to explore emergent figurations, genres, and practices for the transdisciplinary study of real and imagined worlds framed by human disturbance. In the interplay and variation across modes for constructing this field, Anthropocene scholarship finds its shape.
Haunting Sufis and the Also-Here of Migration in Berlin
This article delves into the spectral and affective reserves of Zikr, the Sufi exercise of godly remembrance. It explores how performances of religious longing broaden the moral experience of a post-migrant Berlin by offering contemporary believers critically thin zones of hypersocial contact with Islamic holy figures. Zikr emerges as a key interface of felt and material worlds: through acts of remembrance, subliminal figures and migrant inheritances are made contemporaneous while suppressed civic-political matters find a spectral, more-than-visual presence in Berlin. Sufi haunting thus achieves, amid enduring conditions of migration, a provisional positioning of the not-here and the not-now as an also-here. Such remembrance affords migrants a greater awareness of being distinctly historical as well as the critical means to look past conditions of the present.
Roy Rappaport and Jeffrey C. Alexander
Durkheim's 'second program of research' above all refers to his project as developed in Les formes élémentaires de la vie religieuse. This essay examines how it has in turn been developed and taken up nowadays in the work of Roy Rappaport and Jeffrey Alexander. Both of them are concerned with the centrality of ritual and the sacred as active, constitutive elements not just of religion but of all social life, not least modern social life. However, a key difference between them can be found in the issue of the internal dimension of ritual and of the individual's participation in public performance of this. Rappaport emphasizes some sort of general notion of acceptance, in an effort to open up things and get away from the particular epistemological as well as theological commitments of the idea of belief. Alexander still appears to work with the modernist epistemology and 'Protestant' theology of belief. His project of a new Durkheimian cultural sociology has nonetheless itself opened up all kinds of things, and is one of the most creative and dynamic research programs in sociology nowadays.
Creative Practices/Resistant Acts
Nesreen Hussein and Iain MacKenzie
participatory performance, and roundtable discussions. One of the common threads that brought the contributions together, and that initiated the conceptualization of the event, was a shared understanding of revolutions as inherently “creative acts.” Those acts
Giovanni A. Travaglino and Benjamin Abrams
’s analysis of flying protests in Damascus, and Caroline Rooney’s reading of a performance project, Laila Soliman’s No Time for Art in Egypt. On the one hand, Adwan draws on theoretical repertoires in the field of theatre studies to analyze protests that
Benjamin Abrams and Giovanni A. Travaglino
in instances of collective action and political behavior. Matthew Hayes opens this issue with his article “Never Mind the Ballots: The Edible Ballot Society and the Performance of Citizenship.” In the article, Hayes examines an unusual instance of