impact of popular visual representations of Shelley's novel on contemporary works by Ahmed Saadawi and Jeanette Winterson, which emphasize concerns of otherness as related to gender and race, as well as anxieties about how the body is altered by
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Editor's Introduction
Screening Transgression
Andrew J. Ball
Editor's Outlook
Andrew J. Ball
and sexuality studies, and in critical race and ethnic studies. These many disciplinary and topical elements are elegantly assembled in this issue's special section entitled “Queer Sinofuturisms.” We are particularly excited to contribute to the
Editorial
Situating Screen Bodies
Brian Bergen-Aurand
On the Cover Figure 1 Love Has No Gender, Race or Sexuality. Boitumelo and Collen. (August 2017) . This cover of Screen Bodies features a photograph by Collen Mfazwe entitled “Love Has No Gender, Race or Sexuality. Boitumelo and
Introduction
Visibility and Screen Politics after the Transgender Tipping Point
Wibke Straube
. The series Pose is a fantastic example of how this might be slowly changing and how cultural spaces for alternative productions and diverse and intersecting positions between class, race, gender, and sexuality are emerging. Pose , featuring New York
Screened Bodies
Brian Bergen-Aurand
, feminism and masculinity studies, trans* studies, queer theory, critical race theory, class analysis, cyborg studies, and dis/ability studies. In addition to this introduction to screened bodies, volume 1, issue 1 of the journal features research articles