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Andrew J. Ball

American silent cinema, and in this issue we are pleased to present Olivier Delers's article on transmediality in Paul Chan's art project Sade for Sade's Sake . These two issues also give us a glimpse into many of the topics we will prioritize in the

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Comics and Transnational Exchanges

Lawrence Grove, Anne Magnussen, and Ann Miller

arguing that comics, as a polygraphic art, in Thierry Smolderen's term, is particularly apt as a vehicle for transmedial interactions and mutations. She finds in Gawronkiewicz and Rosenberg's story, which features a circus-clown-turned-Nazi-officer and a

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Comics and Adaptation

Armelle Blin-Rolland, Guillaume Lecomte, and Marc Ripley

relevance of Dante for the graphic arts in both Europe and the United States, evidenced in his wide-ranging selection of transmedial Dante adaptations, from comics to puppet theatre and video games. Our concluding article, by Marc Ripley, turns to the

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Jafta Masemola's Master Key

Experimental Notes on Azanian Aesthetic Theory

Athi Mongezeleli Joja

marginalised place of African art as critical stimuli in much of twentieth-century western culture, the avant-garde included. Following the transindividual feature in this work is its performative transmediality. Attempts at trying to re-apprehend or fully