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Hope Chest

Demythologizing Girlhood in Kate Bernheimer’s Trilogy

Catriona McAra

I have been amazed more than once by a description a woman gave me of a world all her own which she had been secretly haunting since early childhood. ( Cixous 1976: 876 ) In the last two decades, the American writer Kate Bernheimer has emerged as an

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More Than Just a Simple Refrain?

The Figure of the Girl in International Cinema

Elspeth Mitchell

BOOK REVIEW Handyside, Fiona and Kate Taylor-Jones (eds.) 2016. International Cinema and the Girl: Local Issues, Transnational Contexts . London: Palgrave Macmillan. The recent volume, International Cinema and the Girl (2016), edited by Fiona

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The Girl in the Text

Representations, Positions, and Perspectives

Ann Smith

[her] “sexual desire and agency.” In “Hope Chest: Demythologizing Girlhood in Kate Bernheimer’s Trilogy,” Catriona McAra, “invoking and explaining the relevance of literary theories related to caskets,” uses the metaphor of the hope chest “as both a toy

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How to Survive the Postfeminist Impasse

Grace Helbig’s Affective Aesthetics

Catherine McDermott

Handyside and Kate Taylor-Jones , 49 – 62 . Basingstoke, UK : Palgrave Macmillan . Gwynne , Joel , and Nadine Muller (ed.). 2013 . Postfeminism and Contemporary Hollywood Cinema . Basingstoke, UK : Palgrave Macmillan . 10

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Girls with Disabilities in the Global South

Rethinking the Politics of Engagement

Xuan Thuy Nguyen

.1080/14725860801908544 Pink , Sarah . 2001 . Doing Visual Ethnography: Images, Media, and Representation in Research . Thousand Oaks, CA : Sage . Povee , Kate , Brian J Bishop , and Lynne D Roberts . 2014 . “ The Use of Photovoice with People with Intellectual

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Sharing Images, Spoiling Meanings?

Class, Gender, and Ethics in Visual Research with Girls

Janet Fink and Helen Lomax

Visual Research with Children and Young People . London : Routledge . Tilley , Elizabeth , and Kate Woodthorpe . 2011 . “ Is it the End of Anonymity as We Know it? A Critical Examination of the Ethical Principle of Anonymity in the Context of 21st

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Brian Bergen-Aurand

, the Internet continued to disseminate more negative reviews of the rebooted Ghostbusters (2016)—starring Melissa McCarthy, Kristen Wiig, Kate McKinnon, and Leslie Jones, directed by Paul Feig, written by Katie Dippold and Paul Feig. I think the film

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Introduction

Visibility and Screen Politics after the Transgender Tipping Point

Wibke Straube

2018, Taylor Mason (played by Asia Kate Dillon) in Billions ( Brian Koppelman, David Levien, and Andrew Ross Sorkin, 2016– ) had just made a strong impact with their pronoun statement in the second season of the series, in which Taylor introduces

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Embodied Liberation

The Female Reception of Oshima Nagisa's International Co-Productions

Yuta Kaminishi

the audience, Ozawa testified from a historical perspective on the question of why this film was important for women's liberation. 5 Mentioning Kate Millett's Sexual Politics (which was translated into Japanese in 1973) and the feminist movement in

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Laurel Hart, Pamela Lamb, and Joshua Cader

Kate Miltner . 2015 . “ Histories of Hating .” Social Media and Society 1 ( 2 ): 1 – 10 . Solnit , Rebecca . 2014 . Men Explain Things to Me . Chicago : Haymarket Books . Stephenson , Neal . 1995 . The Diamond Age: Or, A Young Lady