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Representing Sanctuary

On Flatness and Aki Kaurismäki's Le Havre

Vinh Nguyen

Rascaroli, following Gilles Deleuze and Félix Guattari, calls this approach the “becoming-minor” of European art cinema, a “stammering of a major filmic language that is deployed—often with humour, always with self-awareness” ( 2013: 327 ) to perform filmic