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Diane Duclos, Sylvain L. Faye, Tidiane Ndoye, and Loveday Penn-Kekana

act of locating, understood as an approach to capturing epistemologies in the making and to reflecting on the role and responsibilities of anthropology as a community of practice, will be used to understand how ‘performance’ was both studied and co

Open access

Introduction

Performance, Power, Exclusion, and Expansion in Anthropological Accounts of Protests

Aet Annist

( Youngs 2017 ), we are offering this topical special section to analyze protests through an ethnographic lens. Concentrating on power and performance, the articles consider the matrix within which the protests emerge—the time and space, the historic and

Open access

Weapons for Witnessing

American Street Preaching and the Rhythms of War

Kyle Byron

responding to this imperative, street preachers transform streets, sidewalks, and other forms of urban infrastructure into sites of religious performance. 2 Referencing Filip De Boeck (2012) , Penny Harvey and Hannah Knox (2015: 5) describe

Free access

Introduction

Why Q1 Hamlet Matters

Terri Bourus

This introduction situates the special double issue ‘Canonizing Q1 Hamlet’ in the context of the early publication history of Shakespeare’s tragedy and the recent critical and editorial interest in the first edition. The first edition of Hamlet – often called ‘Q1’, shorthand for ‘first quarto’ – was published in 1603, in what we might regard as the early modern equivalent of a cheap paperback. Q1 Hamlet is becoming increasingly canonical not because there is universal agreement about what it is or what it means, but because more and more Shakespearians agree that it is worth arguing about. If we read or perform it, rather than simply dismissing it (as was done for most of the twentieth century), Q1 makes us think: about performance, book history, Shakespeare’s relationships with his contemporaries, and the shape of his whole career.

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The Ontological Turn

Taking Different Worlds Seriously

Andrew Pickering

representational idiom. Instead, we need, in a performative idiom, to think about practice, performance, and agency—doing things—and I want to sketch out briefly how the analysis goes before returning to the question of different worlds. Scientists, I argue, are

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Introduction

Cross-Cultural Articulations of War Magic and Warrior Religion

D. S. Farrer

Previous anthropology emphasized symbolic incantations at the expense of the embodied practice of magic. Foregrounding embodiment and performance in war magic and warrior religion collapses the mind-body dualism of magic versus rationality, instead highlighting social action, innovation, and the revitalization of tradition, as tempered historically by colonial and post-colonial trajectories in societies undergoing rapid social transformation. Religion and magic are re-evaluated from the perspective of the practitioner's and the victim's embodiment in their experiential life-worlds via articles discussing Chinese exorcists, Javanese spirit siblings, Sumatran black magic, Tamil Tiger suicide bombers, Chamorro spiritual re-enchantment, tantric Buddhist war magic, and Yanomami dark shamans. Central themes include violence and healing, accomplished through ritual and performance, to unleash and/or control the power of gods, demons, ghosts and the dead.

Open access

Physically Distant – Socially Intimate

Reflecting on Public Performances of Resistance in a Pandemic Situation

Marion Hamm

-arranged during this public performance (Hamm 2020) under lockdown. Based on fieldnotes, online communication on the day, open-ended digital strolls and peer-to-peer communication, I constructed a thick description by contextualising ethnographic scenes around

Free access

Introduction

Doing Ritual While Thinking about It?

Emma Gobin

reflexivity’ and the role they play in the formal economy of ritual performance have remained largely unexamined. In drawing on various empirical case studies to address these issues, this collection of articles proceeds from the idea that the reflexive

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Introduction

Ethnographies of Private Security

Erella Grassiani and Tessa Diphoorn

articles that depict how these actors operate in particular localities—for example, Daniel Goldstein’s (2015) analysis of the performance of local sovereignty in Bolivia, Erella Grassiani and Lior Volinz’s (2015) piece on how policing (re

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Introduction

Repatriation and Ritual, Repatriation as Ritual

Laura Peers, Lotten Gustafsson Reinius, and Jennifer Shannon

survival. The editors and authors of this special section of Museum Worlds have taken a different set of perspectives. We explore repatriation as ritual: a set of highlighted performances enacting cosmological beliefs for a special purpose, deeply