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Introduction

Why Q1 Hamlet Matters

Terri Bourus

, a paperback anthology of revenge plays, textbooks designed for college students. Early in 2015, Zachary Lesser wrote a groundbreaking, award-winning history of the effect – on criticism, scholarship and performance – of the rediscovery of Q1. 1

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Introduction

Performance, Power, Exclusion, and Expansion in Anthropological Accounts of Protests

Aet Annist

( Youngs 2017 ), we are offering this topical special section to analyze protests through an ethnographic lens. Concentrating on power and performance, the articles consider the matrix within which the protests emerge—the time and space, the historic and

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Diane Duclos, Sylvain L. Faye, Tidiane Ndoye, and Loveday Penn-Kekana

act of locating, understood as an approach to capturing epistemologies in the making and to reflecting on the role and responsibilities of anthropology as a community of practice, will be used to understand how ‘performance’ was both studied and co

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Weapons for Witnessing

American Street Preaching and the Rhythms of War

Kyle Byron

responding to this imperative, street preachers transform streets, sidewalks, and other forms of urban infrastructure into sites of religious performance. 2 Referencing Filip De Boeck (2012) , Penny Harvey and Hannah Knox (2015: 5) describe

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Returning to Nature

Post-carbon Utopias in Svalbard, Norway

Cecilie Vindal Ødegaard

the ‘unmaking’ of coal as a resource in Svalbard? And what notions about nature and society are played out in processes of dismantling and ‘returning’? At first glance, the ‘returning’ can appear as a multifaceted performance of separating matter

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The Ontological Turn

Taking Different Worlds Seriously

Andrew Pickering

representational idiom. Instead, we need, in a performative idiom, to think about practice, performance, and agency—doing things—and I want to sketch out briefly how the analysis goes before returning to the question of different worlds. Scientists, I argue, are

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Introduction

Cross-Cultural Articulations of War Magic and Warrior Religion

D. S. Farrer

Previous anthropology emphasized symbolic incantations at the expense of the embodied practice of magic. Foregrounding embodiment and performance in war magic and warrior religion collapses the mind-body dualism of magic versus rationality, instead highlighting social action, innovation, and the revitalization of tradition, as tempered historically by colonial and post-colonial trajectories in societies undergoing rapid social transformation. Religion and magic are re-evaluated from the perspective of the practitioner's and the victim's embodiment in their experiential life-worlds via articles discussing Chinese exorcists, Javanese spirit siblings, Sumatran black magic, Tamil Tiger suicide bombers, Chamorro spiritual re-enchantment, tantric Buddhist war magic, and Yanomami dark shamans. Central themes include violence and healing, accomplished through ritual and performance, to unleash and/or control the power of gods, demons, ghosts and the dead.

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“One Is Not Born a Dramatist”

The Genesis of Sartre’s Theatrical Career in Writings to, with, and by Beauvoir

Dennis A. Gilbert

attract him to a career in dramatic writing and theatrical performance? This vast subject, the genesis of Sartre’s theatrical career, exceeds the limitations of this article. In the pages that follow, I focus only on the most revealing sources of this

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Conspicuous performances

Ritual competition between Christian and non‐Christian Hmong in contemporary Vietnam

Tâm T. T. Ngô

After recognising Hmong Protestantism, the Vietnamese state continued an ‘anti‐conversion’ politics. It did so by encouraging the revival of what they saw as traditional Hmong religion as a bulwark against Protestantism and by enriching the range of cultural commodities for the growing ethno‐tourism market. For the non‐converts, not only their resistance of Christianity began to be redefined as ‘the battle’ against Christianity, their belief and practices, up to then highly despised of by authorities, began to be restructured in order to gain new strength to rebound on the national and global religious stage. The new consciousness of the non‐Christian Hmong, however, worried the Vietnamese state. This contribution charts the annual competitions held since 2005 between Christian and non‐Christian groups in Lao Cai province in organising yearly Hmong communal rituals. It shows that what was meant to become a folklorised bulwark against Christianity became a new mêlée of ritual competition, as pioneering Hmong quickly seized the central stage. Ritual festivals thus become arenas of identity struggle in which none of the usual identity markers (secular, religious, communist, Christian, modern, traditional) can be taken at face value.

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Christian Pilgrimage Groups in Jerusalem

Framing the Experience Through Linear Meta-Narrative

Vida Bajc

Christian pilgrims come to the Holy Land to visit specific physical places that give their faith a tangible form. On organized tours, pilgrimage is structured through an itinerary which consists of a series of encounters, purposefully shaped to bring to life the story of Jesus. These encounters involve performative practices of tour-group leaders at specific symbolic sites with particular narratives. The biblical reality is invoked through a process of meta-framing which allows for a cognitive shift from the mundane walking from site to site into a biblical reality. Meta-framing interlaces the Christian religious memory, performed by the spiritual leader, with the Israeli historical memory, performed by the Israeli tour guide, into a single, linear meta-narrative.