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Diane Duclos, Sylvain L. Faye, Tidiane Ndoye, and Loveday Penn-Kekana

act of locating, understood as an approach to capturing epistemologies in the making and to reflecting on the role and responsibilities of anthropology as a community of practice, will be used to understand how ‘performance’ was both studied and co

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Introduction

Why Q1 Hamlet Matters

Terri Bourus

, a paperback anthology of revenge plays, textbooks designed for college students. Early in 2015, Zachary Lesser wrote a groundbreaking, award-winning history of the effect – on criticism, scholarship and performance – of the rediscovery of Q1. 1

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Introduction

Performance, Power, Exclusion, and Expansion in Anthropological Accounts of Protests

Aet Annist

( Youngs 2017 ), we are offering this topical special section to analyze protests through an ethnographic lens. Concentrating on power and performance, the articles consider the matrix within which the protests emerge—the time and space, the historic and

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Weapons for Witnessing

American Street Preaching and the Rhythms of War

Kyle Byron

responding to this imperative, street preachers transform streets, sidewalks, and other forms of urban infrastructure into sites of religious performance. 2 Referencing Filip De Boeck (2012) , Penny Harvey and Hannah Knox (2015: 5) describe

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The Ontological Turn

Taking Different Worlds Seriously

Andrew Pickering

representational idiom. Instead, we need, in a performative idiom, to think about practice, performance, and agency—doing things—and I want to sketch out briefly how the analysis goes before returning to the question of different worlds. Scientists, I argue, are

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Introduction

Cross-Cultural Articulations of War Magic and Warrior Religion

D. S. Farrer

Previous anthropology emphasized symbolic incantations at the expense of the embodied practice of magic. Foregrounding embodiment and performance in war magic and warrior religion collapses the mind-body dualism of magic versus rationality, instead highlighting social action, innovation, and the revitalization of tradition, as tempered historically by colonial and post-colonial trajectories in societies undergoing rapid social transformation. Religion and magic are re-evaluated from the perspective of the practitioner's and the victim's embodiment in their experiential life-worlds via articles discussing Chinese exorcists, Javanese spirit siblings, Sumatran black magic, Tamil Tiger suicide bombers, Chamorro spiritual re-enchantment, tantric Buddhist war magic, and Yanomami dark shamans. Central themes include violence and healing, accomplished through ritual and performance, to unleash and/or control the power of gods, demons, ghosts and the dead.

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Robert Shaughnessy

Stratford-upon-Avon in March 2018. The first event of its kind in the United Kingdom, the symposium drew together scholars, service professionals, practitioners and participants in Shakespeare and applied theatre (an umbrella term for a range of performance

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Physically Distant – Socially Intimate

Reflecting on Public Performances of Resistance in a Pandemic Situation

Marion Hamm

-arranged during this public performance (Hamm 2020) under lockdown. Based on fieldnotes, online communication on the day, open-ended digital strolls and peer-to-peer communication, I constructed a thick description by contextualising ethnographic scenes around

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Rebecca M. Schreiber

performance. Their installation, Embassy of the Refugee , which was displayed as part of Bay Area Now 8 held at Yerba Buena Center for the Arts (YBCA) in San Francisco, included a 20’ x 10’ x 18’ structure resembling that of a partially built church or house

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Introduction

Doing Ritual While Thinking about It?

Emma Gobin

reflexivity’ and the role they play in the formal economy of ritual performance have remained largely unexamined. In drawing on various empirical case studies to address these issues, this collection of articles proceeds from the idea that the reflexive