( Youngs 2017 ), we are offering this topical special section to analyze protests through an ethnographic lens. Concentrating on power and performance, the articles consider the matrix within which the protests emerge—the time and space, the historic and
Performance, Power, Exclusion, and Expansion in Anthropological Accounts of Protests
Ethnographic Insights from Senegal
Diane Duclos, Sylvain L. Faye, Tidiane Ndoye, and Loveday Penn-Kekana
The notion of performance has become dominant in health programming, whether being embodied through pay-for-performance schemes or through other incentive-based interventions. In this article, we seek to unpack the idea of performance and performing in a dialogical fashion between field-based evaluation findings and methodological considerations. We draw on episodes where methodological reflections on performing ethnography in the field of global health intersect with findings from the everyday practices of working under performance-based contracts in the Senegalese supply chain for family planning. While process evaluations can be used to understand contextual factors influencing the implementation of an intervention, we as anthropologists in and of contemporary global health have an imperative to explore and challenge categories of knowledge and practice. Making room for new spaces of possibilities to emerge means locating anthropology within qualitative global health research.
Why Q1 Hamlet Matters
This introduction situates the special double issue ‘Canonizing Q1 Hamlet’ in the context of the early publication history of Shakespeare’s tragedy and the recent critical and editorial interest in the first edition. The first edition of Hamlet – often called ‘Q1’, shorthand for ‘first quarto’ – was published in 1603, in what we might regard as the early modern equivalent of a cheap paperback. Q1 Hamlet is becoming increasingly canonical not because there is universal agreement about what it is or what it means, but because more and more Shakespearians agree that it is worth arguing about. If we read or perform it, rather than simply dismissing it (as was done for most of the twentieth century), Q1 makes us think: about performance, book history, Shakespeare’s relationships with his contemporaries, and the shape of his whole career.
Taking Different Worlds Seriously
representational idiom. Instead, we need, in a performative idiom, to think about practice, performance, and agency—doing things—and I want to sketch out briefly how the analysis goes before returning to the question of different worlds. Scientists, I argue, are
Cross-Cultural Articulations of War Magic and Warrior Religion
D. S. Farrer
Previous anthropology emphasized symbolic incantations at the expense of the embodied practice of magic. Foregrounding embodiment and performance in war magic and warrior religion collapses the mind-body dualism of magic versus rationality, instead highlighting social action, innovation, and the revitalization of tradition, as tempered historically by colonial and post-colonial trajectories in societies undergoing rapid social transformation. Religion and magic are re-evaluated from the perspective of the practitioner's and the victim's embodiment in their experiential life-worlds via articles discussing Chinese exorcists, Javanese spirit siblings, Sumatran black magic, Tamil Tiger suicide bombers, Chamorro spiritual re-enchantment, tantric Buddhist war magic, and Yanomami dark shamans. Central themes include violence and healing, accomplished through ritual and performance, to unleash and/or control the power of gods, demons, ghosts and the dead.
Doing Ritual While Thinking about It?
reflexivity’ and the role they play in the formal economy of ritual performance have remained largely unexamined. In drawing on various empirical case studies to address these issues, this collection of articles proceeds from the idea that the reflexive
Ethnographies of Private Security
Erella Grassiani and Tessa Diphoorn
articles that depict how these actors operate in particular localities—for example, Daniel Goldstein’s (2015) analysis of the performance of local sovereignty in Bolivia, Erella Grassiani and Lior Volinz’s (2015) piece on how policing (re
Repatriation and Ritual, Repatriation as Ritual
Laura Peers, Lotten Gustafsson Reinius, and Jennifer Shannon
survival. The editors and authors of this special section of Museum Worlds have taken a different set of perspectives. We explore repatriation as ritual: a set of highlighted performances enacting cosmological beliefs for a special purpose, deeply
Revising the Family Story
take on the voices of others is part of a compulsive performance of trying on cultures, races, ethnicities, ages, and classes outside her own as she strives to reach beyond her identity and limitations as a “little white kid.” Thebes’s language is
A Masculinities Perspective on the Enduring Warrior Ethos of Rio de Janeiro's Police
Celina Myrann Sørbøe
both in the police culture and in the favela. I thus situate the warrior ethos as a masculine performance shaped by gendered role expectations in the organizational, occupational, and street-working environment of the police. With this emphasis on the