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Introduction

Performance, Power, Exclusion, and Expansion in Anthropological Accounts of Protests

Aet Annist

( Youngs 2017 ), we are offering this topical special section to analyze protests through an ethnographic lens. Concentrating on power and performance, the articles consider the matrix within which the protests emerge—the time and space, the historic and

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Weapons for Witnessing

American Street Preaching and the Rhythms of War

Kyle Byron

responding to this imperative, street preachers transform streets, sidewalks, and other forms of urban infrastructure into sites of religious performance. 2 Referencing Filip De Boeck (2012) , Penny Harvey and Hannah Knox (2015: 5) describe

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The Ontological Turn

Taking Different Worlds Seriously

Andrew Pickering

representational idiom. Instead, we need, in a performative idiom, to think about practice, performance, and agency—doing things—and I want to sketch out briefly how the analysis goes before returning to the question of different worlds. Scientists, I argue, are

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Introduction

Cross-Cultural Articulations of War Magic and Warrior Religion

D. S. Farrer

Previous anthropology emphasized symbolic incantations at the expense of the embodied practice of magic. Foregrounding embodiment and performance in war magic and warrior religion collapses the mind-body dualism of magic versus rationality, instead highlighting social action, innovation, and the revitalization of tradition, as tempered historically by colonial and post-colonial trajectories in societies undergoing rapid social transformation. Religion and magic are re-evaluated from the perspective of the practitioner's and the victim's embodiment in their experiential life-worlds via articles discussing Chinese exorcists, Javanese spirit siblings, Sumatran black magic, Tamil Tiger suicide bombers, Chamorro spiritual re-enchantment, tantric Buddhist war magic, and Yanomami dark shamans. Central themes include violence and healing, accomplished through ritual and performance, to unleash and/or control the power of gods, demons, ghosts and the dead.

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Imagined individuality

Cultivating separated personhood in Cuba and beyond

Ståle Wig

). Cuban women tended to expect adult men to provide material benefits to them as romantic partners and relatives, and men's performance as providers influenced how women evaluated them as truly independent ( Härkönen 2015 ). To provide for others was, in

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Narratives of the Invisible

Autobiography, Kinship, and Alterity in Native Amazonia

Vanessa Elisa Grotti and Marc Brightman

societies outside Amazonia ( Chaumeil 1983 ; Eliade 1964 ; Harner 1973) . In native Amazonia, a genre of ritual autobiography exists that combines mythic narratives and stories of personal experience in performances of dreams and visions, and the analysis

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Alexander Riley

Jeffrey Alexander, Bernhard Giesen and Jason Mast (eds.), Social Performance: Symbolic Action, Cultural Pragmatics and Ritual, Cambridge: Cambridge University Press, 2006, 374 pp.

Ron Eyerman and Lisa McCormick (eds.), Myth, Meaning, and Performance: Toward a New Cultural Sociology of the Arts, Boulder: Paradigm Publishers, 2006, 166 pp.

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Arturo Escobar

Five or ten years from now, the performance of the allegedly leftist regimes in Latin America (particularly those of Venezuela, Ecuador, and Bolivia and, to varying degrees, those of Argentina, Paraguay, Nicaragua, Chile, Uruguay, and Brazil) will be assessed in terms of the extent to which they were able to bring about a reduction of poverty, sustained rates of growth, and a measure of democratization in their countries, including less inequality and more inclusive policies, particularly toward ethnic minorities.

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Introduction

The Importance of Rituals in Everyday Life in the Middle East

Zubaydah Ashkanani and Soheila Shahshahani

A culture can be expressed in a succinct way in its rituals, the manifestations of the culmination of its deepest beliefs. Rituals are also attempts to maintain cohesion, which they do most successfully in the material and non-material arts. Knowledge of a culture is necessary in order to portray the totality of that culture through its rituals and ceremonies. As a central topic in anthropology, ritual has been regarded as a phenomenon that is resistant to change and bound to a great extent to certain norms and regulations. Yet it is obvious that rituals are not rigid, unvarying sets of performances and that they have undergone many changes in definitions, functions and interpretations. Indeed, all aspects of culture, including rituals, are subject to change. Drawing on the past, cultures sustain their beliefs by making use of what is at hand in the present.

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Literary Anthropology

The Sub-disciplinary Context

Máiréad Nic Craith and Laurent Sebastian Fournier

This special issue on anthropology and literature invited proposals for original contributions focusing on relationships between anthropology and literature. We were especially interested in the following questions: what role does literature play in anthropology? Can literature be considered as ethnography? What are the relationships between anthropology and literature, past and present? Are anthropology and anthropological motives used in literature? We also looked for critical readings of writers as anthropologists and critical readings of anthropologists as writers. Moreover, we wanted to assess the influence of literature on the invention of traditions, rituals and cultural performances. All these different questions and topics are clearly connected with the study of literacy, illiteracy and popular culture. They also lead to questions regarding potential textual strategies for ethnography and the possibilities of bringing together the field of anthropology (more associated with the social sciences) and literary studies (traditionally part of the humanities).