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Introduction

Performance, Power, Exclusion, and Expansion in Anthropological Accounts of Protests

Aet Annist

( Youngs 2017 ), we are offering this topical special section to analyze protests through an ethnographic lens. Concentrating on power and performance, the articles consider the matrix within which the protests emerge—the time and space, the historic and

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Weapons for Witnessing

American Street Preaching and the Rhythms of War

Kyle Byron

responding to this imperative, street preachers transform streets, sidewalks, and other forms of urban infrastructure into sites of religious performance. 2 Referencing Filip De Boeck (2012) , Penny Harvey and Hannah Knox (2015: 5) describe

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Introduction

Doing Ritual While Thinking about It?

Emma Gobin

reflexivity’ and the role they play in the formal economy of ritual performance have remained largely unexamined. In drawing on various empirical case studies to address these issues, this collection of articles proceeds from the idea that the reflexive

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Introduction

Ethnographies of Private Security

Erella Grassiani and Tessa Diphoorn

articles that depict how these actors operate in particular localities—for example, Daniel Goldstein’s (2015) analysis of the performance of local sovereignty in Bolivia, Erella Grassiani and Lior Volinz’s (2015) piece on how policing (re

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Eluding the Esculacho

A Masculinities Perspective on the Enduring Warrior Ethos of Rio de Janeiro's Police

Celina Myrann Sørbøe

both in the police culture and in the favela. I thus situate the warrior ethos as a masculine performance shaped by gendered role expectations in the organizational, occupational, and street-working environment of the police. With this emphasis on the

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“There Was No Genocide in Rwanda”

History, Politics, and Exile Identity among Rwandan Rebels in the Eastern Congo Conflict

Anna Hedlund

This article analyzes how the 1994 genocide in Rwanda is recalled and described by members of a Hutu rebel group, the Democratic Forces for the Liberation of Rwanda (FDLR) whose leadership can be linked to the 1994 atrocities in Rwanda. The article explores how individuals belonging to this rebel group, currently operating in the eastern territories of the Democratic Republic of Congo (DRC), articulate, contest, and oppose the dominant narrative of the Rwandan genocide. Based on ethnographic fieldwork with members of the FDLR in a rebel camp, this article shows how a community of exiled fighters and second-generation Hutu refugees contest the official version of genocide by constructing a counterhistory of it. Through organized practices such as political demonstrations and military performances, it further shows how political ideologies and violence are being manufactured and reproduced within a setting of military control.

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Introduction

Performing Religion

Ruy Llera Blanes, Sondra L. Hausner, and Simon Coleman

upon the social sciences of religion, without, however, losing interest in performing. Those reminiscences are somewhat of a motto for what we find in this volume of Religion and Society : texts concerned with the performance of religion in society

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Introduction

The Social Life of Contentious Concepts

Ronald S. Stade

,” or “bashful,” but Geertz suggested it should be translated as suffering from stage fright because Balinese culture, he alleged, could be likened to an intricate theater performance. Geertz’s condensation of actual lives lived by others into a trope

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violent struggles over religion and resistance to tourist intrusion; inter-religious engagement; religion, tourism, landscape and performance; and thanatourism and pilgrimage to sites of suffering. Books will cover exciting new work from both established

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Alena Minchenia

and are motivated to change the power. Looking from the perspective of performativity, the figure of the protester, in general, is the effect of repetitive performances of dissent and of accompanying recognition of these performances as such. Yet