We take the title of our editorial introduction to this themed issue of Girlhood Studies from Sandrina de Finney’s lead article in which she explores “alternative conceptualizations of trauma, place, and girlhood that might enact a more critical, politicized girlhood studies.” Contributions to this issue offer what the guest editors refer to as a re-description of girls in crisis. In so doing not only do they offer challenges to definitions of crisis, they also deepen our understanding of what transformative practices might look like. From a consideration of Indigenous girlhood in Canada to a study of country girls in Australia, from work on YouTube to Holloback! and other social media platforms to girls’ digital representations of their own safety, and from changes in newspaper discourse about murdered girls to a consideration of work done with incarcerated girls, we are invited to re-think this notion of girls-in-crisis, and its significance.
Claudia Mitchell and Jacqueline Reid-Walsh
Martyrdom and Memorials in Post-Civil War Lebanon
Are John Knudsen
This article furthers the study of post–civil war memorialisation in Lebanon by analysing the trajectory of the late Prime Minister Rafik Hariri from statesman to martyr. This transformative process offers a window into the symbolism of Lebanese statehood, and demonstrates how the politicisation of confessional martyrs is used to decry injustice and stake out claims to the state. There is no tradition for prosecuting and punishing political murders in Lebanon, causing victims to be pronounced martyrs. Impunity is therefore the major reason why martyrs and memorialising are so widespread. To this end, the article offers a semiotic reading of Hariri’s posthumous transformation from political patron to patron saint, and is a contribution towards the importance of martyr symbolism for understanding the purported weakness of Lebanese statehood.
The preparation of European Comic Art 8(1) has been overshadowed by the shocking and tragic murder of Charlie Hebdo cartoonists Cabu, Charb, Honoré, Tignous and Wolinski on 7 January 2015. As a way of memorialising these artists, we have invited Jane Weston Vauclair to contribute an article to this issue, assessing the significance of the magazine in the history and current state of French social and political satire. Indeed, beyond doubt is the iconic status of Charlie Hebdo as representing a distinctively French, but known to an international readership, tradition of disrespect for the sacred and the hypocritical, and for beaufitude in all its forms. However, the very untranslatability of that term, invented by Cabu, suggests that comic art, and perhaps satire in particular, may not always travel easily across borders. Mark McKinney has argued in his blog post on the Berghahn Books website2 that the meanings of the Charlie cartoons are far from transparent and universally readable, but have to be understood within a particular cultural and political context and reference system.
Gijs Mom and Nanny Kim
How topsy-turvy can the world of mobility become? Th e London cab has recently been revived by a Chinese automotive group,1 General Motors had to be rescued by the American taxpayer, and BMW is converting its cars to electricity. In Delhi, after a rape and murder of a woman in a bus, rickshaw pullers introduced “safe for women” rickshaws.2 In Brazil riots against corruption and poverty started in a bus, out of outrage at increased ticket prices.3 In Rio de Janeiro there are three bus accidents per day, in part caused by drivers racing against each other.4 How can we understand the plethora of confusing messages from a world of mobility that seems to spin out of control, more so with every new decade? New Mobility Studies tries to make sense of this turbulence and as editors of Transfers we seek fresh approaches that are not afraid of transgressing boundaries. Th is issue, in which we present scholarship beyond the immediate reach of Western mainstream mobility studies, is an example of such boundary crossing.