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Interruptions: Challenges and Innovations in Exhibition-Making

The Second World Museologies Workshop, National Museum of Ethnology (MINPAKU), Osaka, December 2019

Laura Osorio Sunnucks, Nicola Levell, Anthony Shelton, Motoi Suzuki, Gwyneira Isaac, and Diana E. Marsh

Enlightenment-derived legitimating conventions ( Lyotard 1984 ). While many scholars in critical museology and other branches of the social sciences and humanities acknowledge that knowledge is neither transcendental nor universal, but carefully controlled

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Sandra H. Dudley and Conal McCarthy

marks the halfway point through Museum Worlds’ first decade. In those initial five years, this publication’s pages have covered a wide array of issues—such as critical museology and cosmopolitan museology, heritage and repositioning museums, and the

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Paulette Wallace

Zealand History , ed. Bronwyn Dalley and Jock Phillips , 16 – 29 . Auckland : Auckland University Press . Dewdney , Andrew , David Dibosa , and Victoria Walsh . 2013 . Post-Critical Museology: Theory and Practice in the Art Museum

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The Work of Culture, Heritage, and Musealized Spaces in “Unprecedented Times”

Christina Kreps

.1086/244606 Shelton , Anthony . 2013 . “ Critical Museology: A Manifesto .” Museum Worlds: Advances in Research 1 : 7 – 23 . doi: 10.3167/armw.2013.010102 . 10.3167/armw.2013.010102 Smith , Laurajane . 2006 . Uses of Heritage . London : Routledge . 10

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Bringing Slavery into the Light in Postcolonial Portugal

The rhetoric and poetics of a slavery exhibition

Paula Mota Santos

Poetics and Politics of Museum Display . 12 With critical museology, particular attention started to be paid to representation, “producing greater ‘reflexivity’—in the form of greater attention to the processes by which knowledge is produced and