attract him to a career in dramatic writing and theatrical performance? This vast subject, the genesis of Sartre’s theatrical career, exceeds the limitations of this article. In the pages that follow, I focus only on the most revealing sources of this
Search Results
“One Is Not Born a Dramatist”
The Genesis of Sartre’s Theatrical Career in Writings to, with, and by Beauvoir
Dennis A. Gilbert
In Sartre Studies International
- Published (Print):
- 01 Dec 2017
- Article Type:
- Research Article
- Pages:
- 19–35 (17 total)
John Gillespie and Sarah Richmond
the light of the influence of existentialism and phenomenology. Sartre’s imaginary personages make up his account of individual and social identities. He sees identity as a performance of the individual, whereas Butler sees it as emerging within a
Beauvoir and Writing as the Creation of the Self
Memoirs, Diaries, Biography
Liesbeth Schoonheim
thought. Diary of a Philosophy Student, 1928–1929 Beauvoir kept a diary during various period in her life in which she documented, on a daily basis, which books she read, which performances, films, and exhibitions she attended, and with whom she
In Sartre Studies International
- Published (Print):
- 01 Jun 2020
- Article Type:
- Review Article
- Pages:
- 77–88 (12 total)
Mary Edwards
passive that erotic thoughts assist women workers with the performance of repetitive physical actions in Sartre's view. However: The truth is that when the woman worker thinks she is escaping from herself, she is really finding an indirect way of
In Sartre Studies International
- Published (Print):
- 01 Jun 2021
- Article Type:
- Research Article
- Pages:
- 46–75 (30 total)