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Akkadia Ford

Club is a feature-length film (117 minutes) classified as a “Biography/Drama/History” on the Internet Movie Database ( IMDb 2013a ). It relies on traditional Hollywood genre conventions, fictional narrative structures, and filming styles to convey the

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Toward a Queer Sinofuturism

Ari Heinrich, Howard Chiang, and Ta-wei Chi

article “On Sinofuturism: Resisting Techno-Orientalism in Understanding Kuaishou, Douyin, and Chinese A.I.” She aims to reinforce the radical potential of Sinofuturism as a concept by focusing on the creative expression of young people on the internet

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Situating Screen Bodies

Brian Bergen-Aurand

issues of sex work, the internet, and lesbian desire, and diverges drastically from Barbara Wong’s more staid documentary, Women’s Private Parts (2001), which relies on the televisual talking head interview and observational camera to highlight the way

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Queer Sinofuturism

The Aberrant Movements and Posthumanist Mutations of Body, Identity, and Matter in Lu Yang's Uterus Man

Gabriel Remy-Handfield

this generation went through: “They grew up in a China populated by skyscrapers and superhighways with a post-internet culture in which an encyclopedic range of influences collide at the speed of light” (2018: 6). Inspired by these radical changes in

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Brian Bergen-Aurand

screens. The journal considers moving and still images, whether from entertainment industries, information technologies, or news and media outlets, including cinema, television, the Internet, and exhibition spaces. It investigates the private experiences

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The New Imitation Game

The Queer Sinitic Potentialities of Internet Romance Games

Carlos Rojas

, computers, and even the internet itself was driven in part by consumers seeking more convenient and discreet ways of producing, accessing, and consuming sexual content ( Coopersmith 1998 ). Conversely, these same technologies have often had a transformative

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Redefining Representation

Black Trans and Queer Women’s Digital Media Production

Moya Bailey

Health Guide are but two examples of how Black queer and trans women use digital media to turn scraps into something precious (“A Herstory of the #BlackLives-Matter” 2014) . Like chitterlings, the discarded pig intestines of the Internet, can be reworked

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“Banal Apocalypse”

An Interview with Author Ta-wei Chi on the New Translation of The Membranes

Jane Chi Hyun Park and Ta-wei Chi

movies. Before the international trips and the internet became affordable to Taiwanese students, the outlandish movies from Europe provided Qiu, me, and other student writers proxy experiences of traveling abroad in the early 1990s. I belatedly realize

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Before and After Ghostcatching

Animation, Primitivism, and the Choreography of Vitality

Heather Warren-Crow

dissemination through multiple media and its continuing life on the Internet through variations created by fans. Historically, animation has needed discursive constructions of racialized (and, I would add, infantilized and animalized) bodies as excessively

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Falling Apart Together

On Viewing Ali Atassi’s Our Terrible Country from Beirut

Ira Allen

democratic Syria. Perhaps it is fitting that the “Our Terrible Country film – The End” video has vanished now from the internet. All that remains of it, and that for the diligent searcher who knows what they are looking for, is a thumbnail-sized still image