” ( Gonick 2006: 2 ) and thus resist the normalized oppression they experience. The spoken word poetry (SPW) examined here was produced at the introductory workshop hosted at a Catholic high school in New Orleans, Louisiana, as part of a global series that
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Claudia Mitchell
justice-oriented online content.” In the next article, “‘Something Good Distracts Us from the Bad:’” Girls Cultivating Disruption,” Crystal Leigh Endsley analyzes “the spoken word poetry of black, brown, and mixed-race high school girls in New Orleans
Chung-Hao Ku
. When he moves from New Orleans to a dilapidated mansion at Skully’s Landing to live with his estranged father, Edward Sansom, he is so afraid of his new surroundings that he pictures his father as a gothic figure. But the paternal storyline constitutes
Teaching internationalisation?
Surveying the lack of pedagogical and theoretical diversity in American International Relations
Christopher R. Cook
version of this article was presented at the 56th Annual Meeting of the International Studies Association, New Orleans, LA, 18–21 February 2015. Appendix: List of Syllabi Used Arreguin-Toft, Ivan. CAS IR 271-PO 171: Introduction to
When Jackie Coogan Had His Hair Cut
Masculinity, Maturity, and the Movies in the 1920s
Peter W. Lee
slowed down. One New Orleans exhibitor reported that The Rag Man (1925) was “not giving satisfaction, being accredited locally the poorest the youngster had given his many admirers to date” ( Samuel 1925: 53 ). A New Yorker said much the same concerning