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Gamed by the System

Exploring Black Male Youths’ Motivation to Participate in Sports

Deborwah Faulk, Robert A. Bennett III, and James L. Moore III

. Cooley , Charles Horton . 1902 . “ The Looking-Glass Self .” In Social Theory: The Multicultural and Classical Readings ( 3rd ed.), ed. Charles Lemert , 185 . Boulder, CO : Westview Press . Cunningham , Phillip Lamarr . 2009 . “ ‘Please Don

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You Haven't Seen the Last of Men

The Full Monty (Peter Cattaneo, 1997)

Julie Michot

to satisfy male pleasure: the woman is reduced to an “image”—thus being “passive”—whereas the man is the “bearer of the look”—thus being “active”—according to Laura Mulvey (1989: 19) . Although Mulvey's theses, originally published in 1975, have been

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Boyz2Men

Male Migrants’ Attitudes to Homosexuality and What Age Has To Do with It

Katarzyna Wojnicka

2020 ). Mead , Margaret . 1970 . Culture and Commitment: A Study of the Generation Gap . New York : Doubleday (Natural History Press) . Mendoza Pérez , Karmele , and Marta Morgade Salgado . 2018 . “ Doing Masculinity: TheLook’ of

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Sharifah Aishah Osman

Sexual Assault in Young Adult Literature.” The Looking Glass: New Perspectives on Children's Literature 17 ( 3 ). https://www.lib.latrobe.edu.au/ojs/index.php/tlg/article/view/545/487 Connell , Raewyn W. (1995) 2005 . Masculinities

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The Rumble of Nostalgia

Francis Ford Coppola’s Vision of Boyhood

Molly Lewis

relationship to which he so deeply relates. Hinton’s story transported Coppola back to his own adolescence; similarly, the look and feel of the film transports viewers to the cinematic past. The short lens cinematography that allows for deep space compositions

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(Para)normalizing Rape Culture

Possession as Rape in Young Adult Paranormal Romance

Annika Herb

, Michael . ( 1996 ) 2010 . Young Adult Literature: From Romance to Realism . Chicago : ALA Editions . Cleveland , Erika , and E. Sybil Durand . 2014 . “ Critical Representations of Sexual Assault in Young Adult Literature .” The Looking Glass

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Steven Eastwood

-life contextual-gaze experience. We see a person looking and we deduce to who or what the look is directed. Sometimes we mistakenly react to a person as though they are looking at us when in fact they are not. Similarly, probability but not certainty of shot

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Los Roldán and the Inclusion of Travesti Narratives

Representations of Gender-Nonconforming Identities in Argentinian Telenovelas

Martín Ponti

makeup and clothing as incompatible with the look of the company, which is a cosmetics company. These distinctions are evident from the interview between Laisa and her brother's personal assistant throughout part of the eighth episode. Figure 3

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Andrew J. Webber

otherwise by her performances in casting. However, the look of the lead character helps to attach to the film the uncomfortable label of “beautiful,” as in the critical endorsement on the cover of the DVD: “A beautiful survival story, set against the dying