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The Cine-Fist

Eisenstein’s Attractions, Mirror Neurons, and Contemporary Action Cinema

Maria Belodubrovskaya

’s Attractions, Embodied Spectatorship, and Narrative Cinema Eisenstein worked on the idea of attractions as such only very briefly and early on in his career. His key essays on the concept were written from 1923 to 1924, and by the time he made his third film

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Guest Editor's Introduction

Phenomenology Encounters Cognitivism

Robert Sinnerbrink

; embodied spectatorship; aesthetics of “touch” (hapticity); gender and queer theories; and intersectional approaches. Whatever one's particular theoretical or practical commitments, however, it is worth noting that “applying” theory is not the same as