the holy mother of God, Mary” on account of the “intervention of our mother Agnes, august empress.” 15 All of these charters emphasize the participation, perhaps even orchestration, of the Salian women in the patronage of Speyer Cathedral in an effort
Salian Women’s Religious Patronage
activities also prompted consensual and coerced participation in Picardy’s restoration. Many of its policies reinforce Historial contentions that Frenchmen toiled willingly. Humbert’s removal of “suspicious” individuals and his efforts to compel peasants
Gender and Rural Modernization in Postwar France
After World War II, France’s rural Catholic youth associations (Jeunesse agricole catholique [JAC] and its sister organization, Jeunesse agricole catholique féminine [JACF]) organized a traveling home expo for agrarian families. The Rural Home Expo promoted a vision of rural modernization that drew on gendered models of postwar consumerism, economic development, and Catholic teaching on the family. The new rural home envisioned by JAC helped popularize and advance policies to industrialize French agriculture. By the mid-1950s, female activists resisted the gendered division of labor on which this vision was based. In 1957, JACF shifted its mission to promote women’s participation in the agricultural profession.
New Perspectives on the Politics of the Third Republic
Linda E. Mitchell
The articles in this issue all reflect on the various ways in which political trends during the period of the Third Republic have been categorized by both historians of the period and the political actors themselves. Ranging in topic from political trends in the French military in the years after the Dreyfus Affair to the participation of women in the politics of the extreme Right, these pieces focus especially on the need to transcend categories of Left and Right in order to discuss more accurately the ways in which the political party system developed, in particular during the years between the world wars.
The Construction of French Modernity in the Nineteenth Century
Modernity has typically been considered a process consisting of “modernizing” initiatives concerned with nation-building, industrial economic development, and new social and political practices associated with democratization. This article engages ongoing debates regarding the import and meaning of modernity for historians and argues in favor of an historically situated understanding of the modern based upon an examination of social power and identity in post-revolutionary France. In particular, it assesses the transformation of social and political relationships in the nineteenth century as France embraced mass democracy and overseas imperial expansion in North Africa, arguing that modernity became a convenient means of preserving elite primacy and identity in an age increasingly oriented toward egalitarianism, democratic participation, and the acquisition of global empires.
This article considers the role of men in a form of feminist expression promoted in women's magazines and novels during the Belle Epoque. “Belle Epoque literary feminism,“ as I have termed it, was characterized by a desire to reconcile gender equality with traditional gender roles, outside of political channels; it was also, I argue, defined by male participation. Focusing on a widespread effort to modernize marriage, the article examines both men and women's discussions of marital equality in the influential women's magazines Femina and La Vie Heureuse; it then considers the role assigned to men in realizing feminist marriage in two popular women's novels, Marcelle Tinayre's La Rebelle and Louise Marie Compain's L'Un vers l'autre.
An Auxiliary Nurse’s Memories of World War I
clippings from May 1919, long after Clarke left the Comité. The title “France 1918–19” indicates that at least the front page was completed after Clarke’s participation in the war had ended, while the penciled annotation “Alma A. Clarke American Red Cross
Gender, Liturgy, and Authority among Dominican Nuns in Castile in the Middle Ages
Mercedes Pérez Vidal
fourteenth century brought about changes and new ideas concerning liturgical participation for women. They were allowed to take communion only a few times a year but the importance of having a view of the altar—and the host placed upon it—was emphasized. This
, horses, and regalia, and women’s with more personal (and, potentially, religious) property (although one item in particular, a mace, suggests a regalian echo). Nonetheless, royal women’s dispositions of their most precious goods reveal their participation
Katherine Weikert and Elena Woodacre
participation in warlike games and chivalric tournaments helped young men construct their gendered identity and status as warriors or knights. In contrast to this emphasis on aggression and perceived “manly” behavior, Rachel Moss discusses the significance of