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Benoît Crucifix

each case, the redrawn panels are intertwined with personal childhood memories; yet, as Sylvain Lesage noted in his reading of Blutch’s work, it also partakes of a ‘patrimonial approach to comics’ that hinges on a larger, shared, collective form of

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Borders and Interruptions

Museums in the Age of Global Mobility, Mexico City, 7–9 June 2017

Gwyneira Isaac, Diana E. Marsh, Laura Osorio Sunnucks, and Anthony Shelton

-cultural interdisciplinary spaces. In advance of the workshop, two articles were proposed as reflective of relevant research happening in non-Anglophone languages with which Anglophone museum anthropologists have not yet engaged: “Patrimonial Citizenship” (Portuguese) by

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Sheila K. Hoffman, Dominique Poulot, Bruno Brulon-Soares, and Joanna Cobley

Maurice Barrès (2012) called the “great pity of French churches” at the beginning of the twentieth century in order to justify the protection of all religious buildings, even the most modest, for reasons of patrimonial and national sensitivity far removed

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Francisco Martínez, Eva-Maria Walther, Anita Agostini, José Muñoz-Albaladejo, Máiréad Nic Craith, Agata Rejowska, and Tobias Köllner

his knowledge, expertise and personal experiences as an observer in different UNESCO meetings. His critical analysis of the institutional concept of heritage, what he calls the ‘patrimonial regime’ – the same as Smith's ‘authorized heritage discourse