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Steamships to Suffragettes

A Case Study of Interpretative Museology, Public Engagement, and Digital Development

Nicolas Bigourdan, Kevin Edwards, and Michael McCarthy

flexible, creative, adaptive, and informal philosophy and organization underpinning the core elements of the SS Xantho in-water and in-museum project incorporated a principle based on an ability to respond opportunistically (but always deliberately

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Andrea Scholz

. London : Zed Books . Walsh , Catherine . 2012 . “ ‘Other’ Knowledges, ‘Other’ Critiques: Reflections on the Politics and Practices of Philosophy and Decoloniality in the ‘Other’ America .” Transmodernity: Journal of Peripheral Cultural Production of

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Sheila K. Hoffman, Sarita Sundar, Masaaki Morishita, Fabien Van Geert, and Sharon Ann Holt

explain class tensions and gender divisions ( Lauster 2007 ). “Flâneur” conjures images of Parisians strolling along boulevards as they debate the latest “-isms”—the newest movements in art or philosophy. Notwithstanding that most of us are neither

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Democratizing the Digital Collection

New Players and New Pedagogies in Three-Dimensional Cultural Heritage

Jane-Heloise Nancarrow

Philosophy of Computer Games: The Nature of Player Experience , Madrid, Spain 29–31 January . Griffiths , Seren , Ben Edwards , Andrew Wilson , Raimund Karl , Fred Labrosse , Emily LaTrobe-Bateman , Helen Miles , Katharina Moeller

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Conjunctures and Convergences

Remaking the World Cultures Displays at the National Museum of Scotland

Henrietta Lidchi

and the repurposing of Enlightenment ideals. In regard to the Scottish Enlightenment, it has been argued that within the history of ideas, it stands out as a philosophy that while convinced of the utility of reason was not persuaded by its omnipotence

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Steven J. Hoffman, Fanny Wonu Veys, Joseph P Feldman, Natasha Barrett, Elsa Lenz Kothe, Antonino Crisà, Sayantan Mukhopadhyay, Masaaki Morishita, and Ewa Klekot

). retaining their own materiality and presence, as active agentive objects within global networks. Banks’s collecting philosophy was rooted in the search for scientific knowledge from the natural world (Tate Britain 2015–2016). The kaitaka would have been of

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Reassembling The Social Organization

Collaboration and Digital Media in (Re)making Boas’s 1897 Book

Aaron Glass, Judith Berman, and Rainer Hatoum

( Christen 2012 ). While digital media are well adapted to the widespread replication, circulation, and aggregation of diverse materials, discrepancies in underlying philosophies of information and politics of knowledge can complicate the otherwise laudable

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Conal McCarthy

curriculum for training a museum professional, are essential reading for anyone engaged in postgraduate teaching today. What strikes the reader about her philosophy and practice as a teacher is the stress on fieldwork, on immersing students in case study

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Sonya Atalay, Nika Collison Jisgang, Te Herekiekie Herewini, Eric Hollinger, Michelle Horwood, Robert W. Preucel, Anthony Shelton, and Paul Tapsell

Edited by Jennifer Shannon

, philosophy, and language. In my view, the bridge that transfers and facilitates the integrity of past tradition to contemporary practice is tikanga Māori , which I have translated as “approved Māori cultural practice.” The contemporary domain of tikanga

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Destination Museum

A Conversation with Barbara Kirshenblatt-Gimblett

Conal McCarthy

architecture, philosophy, French literature, and Near Eastern literature at Toronto but at Berkeley, this “breadth requirements” meant first-year physics and social sciences, at the very least. Well, when I opened up the catalogue I was like a kid in a candy