of television shows and her discussion of subject-production through television time are tied together by her excellent use of current thinking about queer temporality, such as the work of Elizabeth Freeman, and recent thinking about television and
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Jess Dorrance
collected out of affective need, generate complex affective responses (both positive and negative), and enable affective approaches to history, including the scholarship on queer temporalities so generative of late within queer theory” ( Arondekar et al