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Narrating the Second World War

History Textbooks and Nation Building in Belarus, Russia, and Ukraine

Lina Klymenko

. 75 Although the Ukrainian textbook acknowledges the role of the Soviet Union in the victory over Germany, it emphasizes the contribution of the Ukrainians when providing materials and technology necessary for the victory. 76 Similar to the

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Education, Entertainment, and Indoctrination

Educational Film in Interwar China

Kaiyi Li

fish. This could give us over 5 billion products per year. However, because our fishers lack the knowledge to improve their fishing technology, we cannot exploit these resources.” 54 Although the film was about an unfamiliar culture, educators

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What Does It Mean to Be an Ecological Filmmaker?

Knut Erik Jensen’s Work as Eco-Auteur

Mette Hjort

of the relevant genres’ modes of production. Eadweard Muybridge, best known to film scholars and historians for his photographs depicting horses in motion and his subsequent role in developing technologies for moving images, had a role to play in this

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Andreas Weiß

advances in printing technology made its reproduction more cost-effective. Likewise, the increase in competition spurred publishers to make books more engaging. 28 John Phillip Short, “Everyman’s Colonial Library: Imperialism and Working-Class Readers in

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Benjamin C. Fortna

technologies. Cumulatively, these challenges produced an almost dizzying degree of disorientation, but they also opened up countless new possibilities. The field of education both responded to the shifting realities and initiated new developments of its own

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Pascal Wallisch and Jake Alden Whritner

, we note that it remains to be investigated how even more immersive technology like genuine virtual reality (VR) systems are able to engage the brain. It might turn out that movies are already sufficient in terms of providing a compelling virtual

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Beyond the Individual Body

Spinoza's Radical Enactivism and You Were Never Really Here

Francesco Sticchi

moral systems and ways of constructing and making sense of the world that are in constant dialogue with a historically situated reality. However, the fact that we can establish a (post)human continuum with technology does not imply that we need a

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Twofoldness in Moving Images

The Philosophy and Neuroscience of Filmic Experience

Joerg Fingerhut

generally (see, e.g., Hopkins 2008 , 2018 ; Terrone 2018 ): in most cases of film perception we simultaneously engage with scene-presenting features—such as mise en cadre , camera movements, cuts, technologies of projections—and with the evolving content

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Wyatt Moss-Wellington

example, says that Lynch’s “collision of idyllic love and the horrors of war, technology and medicine, provide a profound synthesis” ( Hughes 2001: 103 ). 4 Becoming aware of our affective dispositions may also incite a different kind of pleasure

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“The physical anxiety of the form itself”

A Haptic Reading of Phil Solomon’s Experimental Films

Hava Aldouby

.J.T. ( 2005 ). What Do Pictures Want? The Lives and Loves of Images . Chicago : University of Chicago Press . 10.7208/chicago/9780226245904.001.0001 Paterson , Mark . 2007 . The Senses of Touch: Haptics, Affects and Technologies . Oxford and New York