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David Schweikart

capitalism and equally rapacious Communism], I contend that that man has already left us: he has gone off alone to his corner and is sulking.” 10 In particular, what is missing both from The Rebel and from Camus’s worldview is any real sense of class

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An Arabian Night with Swedish Direction

Shakespeare’s A Midsummer Night’s Dream in Egypt and Sweden, 2003

Robert Lyons

US involvement in Vietnam and nuclear disarmament. This challenged class-related and hierarchical structures within Swedish society, and by the 1980s, self-realization had become a popular concept. A gradual shift during that decade and into the next

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Linda Gruen

highlight her US rather than her European tours was an astute authorial strategy given that writing about Continental travel—a familiar experience for upper-class Argentines—would likely not have been of great interest to home readers. Two key factors

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[I] ‘did write this Wyll with my own hand’

Simulation and Dissimulation in Isabella Whitney’s ‘Wyll and Testament’

Vassiliki Markidou

, among other things, the strategies that Whitney uses in her poem in order to surmount her contemporary cultural constraints, legitimate her writing and voice her gendered and/or social class critique. For instance, Wendy Wall has underlined Whitney

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Chiara Collamati

Translator : Marieke Mueller and Kate Kirkpatrick

pre-condition for an act capable of transforming the real, or more precisely, as the root of a materialist and dialectical ethics. Alienation in the Critique of Dialectical Reason In the passages dedicated to collectives and to class-being, 3 Sartre

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Incarnation, Alienation, and Emancipation

A Sartrean Analysis of Filmic Violence

Daniel Sullivan

and the typically working-class audience. Boxers are often driven to their careers as a way to more productively utilize the athletic aggression they have developed against a background of frustrating labor and poverty. And the audience flocks to

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“We Are a Traveling People”

Tourism, Travel Journalism, and the Construction of a Modern National Identity in Sweden

Emilia Ljungberg

still in publication. In the 1930s it was distributed nationwide but was centered on Stockholm and was from the start a liberal newspaper ( Holmberg et al. 1983 ). It presented a specific urban middle-class view that has implications for the kind of

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Travel, Authority, and Framing the Subject

Elizabeth Justice’s A Voyage to Russia and Amelia

Matthew W. Binney

). Adding to these broader questions of credibility, Justice’s testimony counted even less because of her gender and lower class status as a governess. 1 As such she disguises her name and others’ in her semi-autobiography, causing a reviewer in the

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Damon Boria, Thomas Meagher, Adrian van den Hoven, and Matthew C. Eshleman

encountering the “gaze” of the white, since this imputes race to the former. In so doing, though, the text elevates the experience of the middle-class person of color navigating life in the white-majority global north to being generally representative of

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Loving Shakespeare

Anne Tyler's Vinegar Girl and the Hogarth Shakespeare Project

Elizabeth Rivlin

submission in public, threatens to make the work unpalatable and even unacceptable to contemporary fiction readers, especially considering that the most likely American buyer of trade fiction like the Hogarth Shakespeare is an upper-middle-class, college