This article describes the results developed in the recently published La Civilisation du journal, histoire culturelle et littéraire de la presse (ed. Dominique Kalifa, Philippe Régnier, Marie-Ève Thérenty, and Alain Vaillant), a collaboration between historians and literary scholars working together for eight years to write a synthesis about the history of the French press during the nineteenth century. It offers a comprehensive encyclopedia of journalism, the genres and forms of the periodical press, the principal figures of nineteenth-century French journalism, and the modern culture of the press. The article describes the different projects between history and literature that could be developed after this project. This kind of methodology should be extended to the relations between press and literature during the twentieth century, to women's journalism and to the globalization of the media during the nineteenth century. These projects could be developed with the help of the website Médias19.
Perspectives et prospectives
Marcela Vásquez-León, Brian Burke, and Lucero Radonic
A critical interest of applied anthropology is to educate students to be theoretically grounded and capable of assuming a level of social responsibility that extends beyond academia. In this paper, we reflect on the issue of student preparation for work in the policy arena by focusing on the experiences of a five-year applied research project that examines agricultural cooperatives as situated agents of change and grassroots development. The project has completed three field seasons in Brazil and Paraguay in which student researchers, including anthropology graduate students from the University of Arizona and in-country undergraduate students from partner universities, have been an integral part. The paper focuses on strategies developed in the research process that enhance student learning. Community Based Research, learning to work through research teams, and creating community-university partnerships constitute the bases of a project that emphasises student learning in the process of doing research and forming collaborations.
The Case of Intersectoral Collaboration in Hangzhou City
Yong Li, Ying Sun, and Ka Lin
In contemporary European policy discussion, “innovation“ is a term popularly used for finding responses to the pressure of global competition. In various forms of innovation, the accent is mainly given to technical and business innovation but less to social innovation. This article studies the issue of social innovation with reference to the local practice in Hangzhou city, which aims to strengthen the life quality of citizens in this city. These practices develop various forms of inter-sectoral collaboration, resulting in numerous "common denominator subject" (CDS) groups that are promoted by the local government. These practices follow the principles of cooperation and partnership, and thus develop a corporatist mechanism for urban development. Through discussion of these practices this article explores the nature and the features of these CDS groups, and evaluates its meaning for social innovation, local administration, life quality and social quality.
The Case of Muslim and Orthodox Shepherds in Middle Albania
This essay provides grass-roots insights into interreligiosity in Middle Albania. I focus on two individuals, Muslim Arif and Orthodox Anastas, to show how notions of cultural intimacy prevail over hegemonic discourses on religious identity that have re-emerged in postsocialist and 'post-atheist' Albania. The process of religious revitalisation took place simultaneously with a pervasive reshaping of local cultural identity. These discourses give simultaneously an opportunity for religious differentiation and symbolic contestations, as well as for diverse collaborations on a social, cultural and economic level. I illustrate how cultural intimacy is performed and cultivated as a shared practice of multipart singing, and understood by the local shepherds not as a marker of difference but as common ground for mutual dialogue. By sharing the social activity of singing the shepherds do not only form a 'sonic community' but also celebrate an interreligious 'community of friends'.
Andreea Deciu Ritivoi
Before identifying the roles of women writers and intellectuals in the current political climate in Eastern Europe, and particularly in Romania, let me first qualify the climate itself, as I see it.1 Over a decade a er the collapse of communism, the political situation in Romania is still very much a transitional one, defined by competing cultural and moral codes, widespread societal mistrust (intensified by the recent scandals surrounding collaboration with the political police, the Securitate) and anxiety about the future. In this context, women intellectuals in Romania have o en found themselves in difficult positions, accused by their more established male colleagues of trying to introduce new intellectual concepts and values on the cultural market for the sole purpose of drawing attention to themselves, opportunistically and in a facile manner.
Historiography, Memory, and the Evolution of Le Silence de la mer, 1942-2012
Among the best-selling French literary works of the twentieth century, Vercors' novella has enjoyed an exceptionally rich afterlife thanks to numerous print editions as well as several influential stage and screen adaptations: Jean-Pierre Melville's 1947 feature film, Jean Mercure's 1949 play, Vercors' own 1978 theatrical rendering, and a 2004 television movie written by Anne Giafferi and directed by Pierre Boutron. Taking a comparative approach that weighs the aesthetic and ideological priorities of these authors and directors alongside shifts in historiography and French political culture, this article traces the evolution of Le Silence de la mer as a contested site of national memory and a means of negotiating the ethically-charged concepts of collaboration and resistance.
Venetian patrician wives of the late Middle Ages brought to their marriages material goods and family loyalty, both vitally important to the prosperity of conjugal families. The crucial resource was the dowry. During the marriage it sustained the family economy under the husband’s administration. Afterward, as the wife’s inherited property, it returned to her, supporting her widowhood and benefiting her children and kin. The economic connection established by the dowry, which included a corredo, a gift to the groom, encouraged collaboration between families, demonstrated in spouses’ appointment of both agnates and affines as testamentary executors. Moreover, accompanying the financial contents of the dowry were trousseaux consisting of clothing and furnishings for the bride, bestowed by her family and supplemented by the groom. These items further enhanced the relationships forged in marriage by giving visual testimony of a married woman’s position as the bridge between her natal and marital families.
The Australian Town in Twentieth-Century Travel
Australian country towns have always played a crucial role in rural tourism. But during the twentieth century, the role of the country town shifted from being a base from which to explore the rural ideal, to being the central destination in which to experience what the rural ideal had to offer. This research identifies cycles in the ways that country towns have been represented in tourist media throughout the twentieth century, from places facilitating rural travel for health, to sites of modern comfort and amenities, to destinations of historic rural charm and as sites to sample gourmet produce and cherry-pick aspects of rural life. Media images of rural travel produced by local tourism campaigns, regional collaborations and state tourism bureaus all point to a significant shift in how travelers partake in the rural ideal. They suggest that the country town became the central expression of the Australian rural ideal for the twentieth century tourist.
Public debate in Germany, particularly in the western German
media, grew heated in 1991 and 1992 over the role of intellectuals in
East German society and their collaboration with or resistance to the
Stasi. Sparks flew with particular intensity when Wolf Biermann,
former East German dissident musician and poet, accused Sascha
Anderson, erstwhile East German dissident poet, of being a Stasi
informant and an “asshole” (while there was some disagreement
over the latter charge, the former, at least, turned out to be accurate).
As the debate raged, some observers commented that it seemed
more a clash of male egos than a serious attempt to analyze the past.
In a 1993 book on the dissident literary community, a West German
commentator suggested the Stasi debate was a conflict among “three
egomaniacs … [Wolf] Biermann, [writer Lutz] Rathenow, [Sascha]
Anderson.” East German author Gabriele Stötzer-Kachold had
made a similar suggestion in 1992.
A critique and three Austrian cases
To illustrate its critique of a professional-academic practice of separating 'scientific history' from 'popular memory' perceptions, this article examines three examples from current Austrian historiography and memorial constructions. The cases under consideration, all relevant to Austrian historians' representation of the national Holocaust experience, focus firstly, on relationships between present historical perceptions of the Austrian 'foreign police', particularly of the latter's so-called Schubsystem, and their fatal popular memory enactments, both 'then' and 'now'; secondly, on historical-scientific representations of Eastern European family formations as a, possibly ingenuous, popular memory repetition of similar historical-analytical perceptions by Nazi social science; and thirdly, on the selective appearance of the forced labor and death camp Mauthausen in official histories of the Austrian Nazi experience as possible collaborations with the camp's ceremonial restructuring into a ritual object for popular memory engineering that in effect destroys the material evidence of the crime being commemorated.