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Solveig Roth and Dagny Stuedahl

Performance, Agency: The Analytic Force of ‘Performativity.’ ” In Philosophy of Education Archive , ed Barbara S. Stengel , 260 – 268 . Urbana, IL : The Philosophy of Education Society . Statistics Norway . 2018 . “ Immigrants and Norwegian-born to

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Making It Up

Intergenerational Activism and the Ethics of Empowering Girls

Emily Bent

all of us. 2 Alisha’s passion for connecting girls’ global experiences of inequality led to additional high profile opportunities at the UN, including artistic performances at the International Day of the Girl (IDG), panel moderation during CSW

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Ander Delgado

deepen our knowledge of the process of textbook development and the influence of outside factors on that process, as illustrated, for example, by the case of the influence of political context on the choice of content and performance. This idea is not new

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Loving and Grieving with Heart of a Dog and Merleau-Ponty's Depth

Saige Walton

life” project, the American performance artist, sound artist, and musician made her feature following the 2011 death of a beloved family member, a small rat terrier dog named Lolabelle. The result is a powerful testament to the interspecies bonds that

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Working with the Cold War

Types of Knowledge in Swedish and Australian History Textbook Activities

Niklas Ammert and Heather Sharp

—resulted in deteriorating educational outcomes. Swedish pupils were performing at lower levels, which became apparent not only in their scores on international examinations, 8 but also in their overall performance once they reached higher educational

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Kira Mahamud Angulo and Yovana Hernández Laina

economic performance.’” 16 We may confirm that the textbooks analyzed generated “perceptions of their nation’s economic attributes” and “normative beliefs regarding the qualities necessary for economic success,” 17 creating a new national imaginary (in

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What Does It Mean to Be an Ecological Filmmaker?

Knut Erik Jensen’s Work as Eco-Auteur

Mette Hjort

contradiction” identifies a “discrepancy between act and content, between performance and proposition” (Philosophical Society). A contradiction of this nature—my film depicts an environment worth appreciating, but was made in ways that harmed that very

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Sam Roggen

the ASL of Mann’s work in CinemaScope clearly exceeds that of his other films. 3 The results show some deviations, such as The Glenn Miller Story (1954) and Serenade (1956), both of which feature lengthy shots of the musical performances of Glenn

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Jason Dean and Geoffrey Raynor

the mask is not that of Prowse or Jones. Rather, in this scene the redeemed Darth Vader is played by Sebastian Shaw, a British actor who was well known for his performances with the Royal Shakespeare Company. One may wonder, why did George Lucas decide

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Guest Editor's Introduction

Phenomenology Encounters Cognitivism

Robert Sinnerbrink

Cinemas of Performance: The Powers of Affection . Edinburgh : Edinburgh University Press . Ferencz-Flatz , Christian , and Julian Hanich . 2016 . “ Editors’ Introduction: What Is Film Phenomenology? ” Studia Phaenomenologica 16 : 11 – 61 . doi