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Anthony Enns

: Routledge . 10.4324/9780203143322 Brown , Thomas . 1820 . Sketch of a System of the Philosophy of the Human Mind . Edinburgh : Bell, Bradfute, Manners and Miller, and Waugh and Innes . Campion-Vincent , Véronique . 1999 . “ The Tell-Tale Eye

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Post-Carroll

Functional Elements of the Moving Image

Philip Cowan

. 2006 . “ The Moving Image: Form and Fact: Responses to Tom Wartenberg and Andrew Light .” In Film and Philosophy 10 : 173 – 182 . https://doi.org/10.5840/filmphil20061013 . 10.5840/filmphil20061013 Coates , Paul . 2010 . Cinema and Colour

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Margrethe Bruun Vaage and Gabriella Blasi

markedly interdisciplinary and requires open-mindedness in bringing together philosophy, natural sciences, and social sciences in tackling the complex issues related to human-nature relations. The general aim of ecocriticism is, however, very practical

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“The physical anxiety of the form itself”

A Haptic Reading of Phil Solomon’s Experimental Films

Hava Aldouby

. “ Embodying Movies: Embodied Simulation and Film Studies .” Cinema: Journal of Philosophy and the Moving Image 3 : 183 – 210 . Gallese , Vittorio , and Michele Guerra . 2015 . Lo Schermo Empatico. Cinema e Neuroscienze . Milano : Raffaello

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A Structure of Antipathy

Constructing the Villain in Narrative Film

Jens Kjeldgaard-Christiansen

offender, such as the negative incentive of a threat. Finally, the same three dimensions of intentionality, consequential action, and causal responsibility are central to moral philosophy. The first two, intentionality and consequential action, are

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Alan Voodla, Elen Lotman, Martin Kolnes, Richard Naar, and Andero Uusberg

00676.x . 10.1111/j.1469-8986.1986.tb00676.x Gallese , Vittorio , and Michele Guerra . 2012 . “ Embodying Movies: Embodied Simulation and Film Studies .” Cinema: Journal of Philosophy and the Moving Image 3 : 183 – 210 . https

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Looking for Something to Signify

Something to Signify Gender Performance and Cuban Masculinity in Viva

David Yagüe González

. It is due to this engagement that queer of color critique opens the discussion to interdisciplinarity, welcoming points of view from philosophy and culture as well as economics, political thought, and activism, and also to nation beyond the Western

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On Shock Therapy

Modernist Aesthetics and American Underground Film

William Solomon

to him in the shape of his prospective audience, who thus expressed metonymically the capacity of the systematic whole of capitalism to degrade its human parts (314). Conversely, Bergson’s philosophy captured only the soothing blackness that masked

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Christopher Blake Evernden, Cynthia A. Freeland, Thomas Schatz, and Frank P. Tomasulo

Views: Film, Cognition, and Emotion , ed. Carl Plantinga and Greg M. Smith , 21 – 47 . London : Johns Hopkins University Press . Carroll , Noël . 1990 . The Philosophy of Horror, Or, Paradoxes of the Heart . New York : Routledge

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Before and After Ghostcatching

Animation, Primitivism, and the Choreography of Vitality

Heather Warren-Crow

Tongue ,” which references Ghostcatching in relation to another live dance included in The Breathing Show (and to the philosophy of Jacques Derrida) (2005: 87–92). Deviations from this trend include Tiffany E. Barber’s previously mentioned