Search Results

You are looking at 91 - 100 of 114 items for :

  • "philosophy" x
  • Cultural Studies x
  • Film Studies x
  • All content x
Clear All
Restricted access

Ethical Engagement with Movies

Response to Carl Plantinga's Screen Stories

Cynthia Freeland

( 4 ): 349 – 360 . https://doi.org/10.2307/431572 10.1111/1540_6245.jaac48.4.0349 De Sousa , Ronald . 1987 . The Rationality of Emotion . Cambridge, MA : MIT Press . 10.7551/mitpress/5760.001.0001 Kivy , Peter . 1997 . Philosophies of

Restricted access

Objet A(ffect) and Che(www) Vuoi

The Fleshy Horror of the Unknowable Other in Spring and Honeymoon

Dewey Musante

? In Eugene Thacker’s In the Dust of This Planet , the author attempts to analyze the discreet unknowableness of the world or what he would call “the horror of philosophy.” He writes, “Our phenomenal experience of the world is determinatively a human

Restricted access

The Feel-Good Film

Genre Features and Emotional Rewards

Keyvan Sarkhosh and Winfried Menninghaus

and Kritik 1 ( 1 ): 15 – 20 . https://doi.org/10.14361/pop.2012-0103 . 10.14361/pop.2012-0103 Solomon , Robert C. 1990 . “ In Defense of Sentimentality .” Philosophy and Literature 14 ( 2 ): 304 – 323 . https://doi.org/10.1353/phl.1990

Restricted access

Shaping Edits, Creating Fractals

A Cinematic Case Study

James E. Cutting and Karen Pearlman

Dyshluk 2016 ). Rhythm continues, throughout the twentieth and twenty-first centuries, to excite much discussion in the philosophy of film (see, for example, Deleuze 1989 ; Merleau-Ponty 1964 ; Mitry 1990 ; and Sobchack 1994 , 2008 ). Among filmmakers

Restricted access

Anthony Enns

: Routledge . 10.4324/9780203143322 Brown , Thomas . 1820 . Sketch of a System of the Philosophy of the Human Mind . Edinburgh : Bell, Bradfute, Manners and Miller, and Waugh and Innes . Campion-Vincent , Véronique . 1999 . “ The Tell-Tale Eye

Restricted access

Post-Carroll

Functional Elements of the Moving Image

Philip Cowan

. 2006 . “ The Moving Image: Form and Fact: Responses to Tom Wartenberg and Andrew Light .” In Film and Philosophy 10 : 173 – 182 . https://doi.org/10.5840/filmphil20061013 . 10.5840/filmphil20061013 Coates , Paul . 2010 . Cinema and Colour

Restricted access

Margrethe Bruun Vaage and Gabriella Blasi

markedly interdisciplinary and requires open-mindedness in bringing together philosophy, natural sciences, and social sciences in tackling the complex issues related to human-nature relations. The general aim of ecocriticism is, however, very practical

Restricted access

“The physical anxiety of the form itself”

A Haptic Reading of Phil Solomon’s Experimental Films

Hava Aldouby

. “ Embodying Movies: Embodied Simulation and Film Studies .” Cinema: Journal of Philosophy and the Moving Image 3 : 183 – 210 . Gallese , Vittorio , and Michele Guerra . 2015 . Lo Schermo Empatico. Cinema e Neuroscienze . Milano : Raffaello

Restricted access

A Structure of Antipathy

Constructing the Villain in Narrative Film

Jens Kjeldgaard-Christiansen

offender, such as the negative incentive of a threat. Finally, the same three dimensions of intentionality, consequential action, and causal responsibility are central to moral philosophy. The first two, intentionality and consequential action, are

Restricted access

Alan Voodla, Elen Lotman, Martin Kolnes, Richard Naar, and Andero Uusberg

00676.x . 10.1111/j.1469-8986.1986.tb00676.x Gallese , Vittorio , and Michele Guerra . 2012 . “ Embodying Movies: Embodied Simulation and Film Studies .” Cinema: Journal of Philosophy and the Moving Image 3 : 183 – 210 . https