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Linda Howell, Ryan Bell, Laura Helen Marks, Jennifer L. Lieberman, and Joseph Christopher Schaub

globally distributed by a subscription-based video-streaming service. It seems to demand a sophisticated awareness of the ways that these new modalities influence not just the production of stereotypes, but the complex new circumstances in which they

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Handover Bodies in a Feminist Frame

Two Hong Kong Women Filmmakers’ Perspectives on Sex after 1997

Gina Marchetti

satisfaction. In recognizing this conundrum, Yau opens up other libidinous possibilities. She sifts through hybrid images loaded with imperial associations, racial connotations, gender stereotypes, and sexual innuendo. In fact, the main consumer, Nicole

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Introduction

Visibility and Screen Politics after the Transgender Tipping Point

Wibke Straube

, instead of anxiously anticipating the often brutal exploitation of trans tropes, the naked body shots, the arc of lingering violence, stigmatization, objectification, and stereotypical narratives. In recent productions, such as The OA and Work in

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Monstrous Masses

The Human Body as Raw Material

John Marmysz

: 129). As with the female stereotype discussed above, such depictions are criticized for encouraging audiences to look at the male body as something with no inner life. In its “hardness” it is solid—like an inert “thing”—and even though depicted as

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Emma Celeste Bedor

stereotypically “unlady-like” behaviors today, such as having their nude photos taken by partners or taking these photos themselves. She explains that the Internet has led to the generation of a “new sexual contract” in which, the kind of freedoms associated

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Before and After Ghostcatching

Animation, Primitivism, and the Choreography of Vitality

Heather Warren-Crow

up (or literally, a set of orbits whitened up) enough to be seen while simultaneously reassuring the viewer of the accuracy of the blackface stereotype through the inscription of natural “life-like” non/human movement ( Fleischer 1915 ). Max

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“There’s nothing makeup cannot do”

Women Beauty Vloggers’ Self-Representations, Transformations, and #thepowerofmakeup

Michele White

Technogenesis . Chicago : University of Chicago Press . 10.7208/chicago/9780226321370.001.0001 Hollingshead , Andrea B. , and Samuel N. Fraidin . 2003 . “ Gender Stereotypes and Assumptions about Expertise in Transactive Memory .” Journal of

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Los Roldán and the Inclusion of Travesti Narratives

Representations of Gender-Nonconforming Identities in Argentinian Telenovelas

Martín Ponti

's assumption that “all transsexuals are male-to-female, and that all trans women want to achieve stereotypical femininity” (2007: 16). Serano further identifies two archetypes that most trans characters fit into. The trans character is presented as either the