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Incarnation, Alienation, and Emancipation

A Sartrean Analysis of Filmic Violence

Daniel Sullivan

be precise, the film explicitly compares Randy to the sacrificial Christ; but unlike the artistic and sincere depictions of Sands’ martyrdom in Hunger , The Wrestler stresses the parodic aspect (history as tragedy and farce ) when Cassidy invokes

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Ashley Lebner

side. Much like the early theologians who sought figuras in the Hebrew Bible to “prefigure” Christ, cultural heritage in O Pelourinho was made by refiguring the memory of Afro-Brazilianness for the history and present of the nation. Thus, even as

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Interfaith Families

A Christian Perspective

Ulrike Dross-Gehring

, which he drew from the newly given Christ-identity. 14 In addition, Paul thus expresses the acceptance of believers of a different faith into the community. However, there are no more exact instructions as to what interfaith life might look like in the

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Happiness Against All Odds

Incestuous Desires in John Ford's ’Tis Pity She's a Whore

Christoph Ehland

. Derek Roper (Manchester: Manchester University Press, 1997). All subsequent references are to this edition. 8 Cf. Gilles D. Monsarrat, ‘The Unity of John Ford: ’Tis Pity She's a Whore and Christ's Bloody Sweat ’, Studies in Philology 77, no. 3

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Automobility and Oil Vulnerability

Unfairness as Critical to Energy Transitions

Ana Horta

de passageiros por mil habitantes .” https://www.pordata.pt/Europa/Número+de+veículos+ligeiros+de+passageiros+por+mil+habitantes-3078 (accessed 13 March 2020 ). Sanne , Christer . 2002 . “ Willing Consumers—or Locked-In? Policies for a

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Adeel Hamza and John Gannon

Judaism’ (ibid.), when he believed that Christ was born among a people who lived ‘beyond the confines of history’ (ibid., vol. 1: 45). 7 His solution was to argue for the purity of Jesus of Nazareth, as against the ‘pharisaic spirit which reigned at

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Todd Berliner

audience's aesthetic experience, such as The Asphalt Jungle (John Huston, 1950), Die Hard (John McTiernan, 1988), The Last Temptation of Christ (Martin Scorsese, 1988), Starship Troopers (Paul Verhoeven, 1997), and other films in which ideological

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A Wolf’s Eye View of London

Dracula, Penny Dreadful, and the Logic of Repetition

Dragoş Manea

with the Wind to The Passion of the Christ (Baltimore, MD: Johns Hopkins University Press, 2007), 23–24.

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Shakespeare and War

Honour at the Stake

Patrick Gray

nobleman’s traditional pride in force of arms be reconciled to Christ’s admonition to turn the other cheek? Perhaps not. If a soldier takes no satisfaction, however, from success on the battlefield, how effective, if at all, is he likely to be, if he should

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Daniela R. P. Weiner

religious education. Gaetano Salvemini and George La Piana were also highly critical, writing in 1943 that in primary school history grammar and religion textbooks “portraits of the Duce … rub elbows with the image of Christ. In the minds of the children