Through stories of young girls at play produced in a collective biography workshop we trace flows of desire and excesses of joy, and bring recent feminist work on positive affect into our analysis of girlhood becomings. Ringrose (2011, 2013) argues that the concept of the “affective assemblage“ brings together affect, embodiment, and relationality in powerful ways to enable a mapping of how desire moves through the social. She suggests that the affective capacities of assemblages can be “life affirming or life destroying“ (2011: 602). In this article we are interested in mapping flows of desire, moments of joy and possibility in moments of girlhood, and in the limitations and contingencies within these moments that shut down these possibilities. We suggest that the methodology of collective biography (Davies and Gannon 2006, 2009, 2013) offers potential for tracing the microparticulars of girlhood becomings.
Joyful Assemblages in Moments of Girlhood
Susanne Gannon, Kristina Gottschall, and Catherine Camden Pratt
Sevasti-Melissa Nolas and Christos Varvantakis
In this article we develop the idea of ethnography as a practice of desire lines. Lines of desire are pedestrian footpaths that are at once amateurish and playful, and that deviate from the grids and schemes of urban planners. We argue that ethnography has always been so at the same time as also being highly professionalized. The article explores these tensions between desire lines and professionalization as they became evident to us during a funded, international multi-modal ethnographic study with children—a study, we argue, that rendered us childlike. We conclude that being childlike and ‘out of line’ is an appropriate and necessary response for knowledge creation at a time of heightened professionalization in the academy.
This article examines Margaret Oliphant's Salem Chapel (1863), the author's only foray into the sensation genre. It argues that the novel's focus on the dangers of gossip and public exposure reveals Oliphant's fraught relationship with sensationalism. Two key characters represent sensational readers and authors in the novel: Arthur Vincent and Adelaide Tufton. By emphasising their eager, voyeuristic desires for sensation, Oliphant marks such modes of reading and interpretation - and the genres which encourage such desires - as problematic. The novel also constructs gossip and public media as troubling, and thus questions sensationalism's reliance on voyeuristic thrills.
The desire to hear a ‘Jewish voice’ on a wide variety of topics in international forums explains the unexpected invitations that come the way of rabbis to offer insights from Jewish tradition. Conversely, the stimulation of speaking to issues outside the usual range on inner Jewish communal concerns offers a potential enrichment to our understanding of the depth and breadth of Jewish teachings.
Paul Moody and Gabriel Aarón Macías Zapata
*Second review is in Spanish
T. Winther. (2008). The impact of electricity: Development, desires and dilemmas. New York: Berghahn Books
E. Velásquez, E. Léonard, O. Hoff mann, & M.F. Prêvot-Schapira (Coords.). (2009). El istmo mexicano: una región inasequible. Estado, poderes locales y dinámicas espaciales (siglos XVI-XIX). México: Publicaciones de la Casa Chata-CIESAS - IRD.
Julián Antonio Moraga Riquelme, Leslie E. Sponsel, Katrien Pype, Diana Riboli, Ellen Lewin, Marina Pignatelli, Katherine Swancutt, Alejandra Carreño Calderón, Anastasios Panagiotopoulos, Sergio González Varela, Eugenia Roussou, Juan Javier Rivera Andía, Miho Ishii, Markus Balkenhol, and Marcelo González Gálvez
's historical account of the Christ Apostolic Church (CAC), arguably Nigeria's largest Pentecostal church, starts from the premise that Yoruba women's desire to become mothers pushes them to search for spiritual healing across the religious market. Since its
Walter S.H. Lim
In this comparative article focusing on the representation of the migration experience of two recent first-generation Asian-American authors, I consider the ways that Mukherjee and Lim's possession of important symbolic capital, their solid tertiary education, and excellent first language proficiency in English condition their portrayal of this transition from the old to the new country. If possessing such symbolic capital lends important support for any immigrant desire for American naturalization and belonging, does Mukherjee's portrayal of Jasmine's insertion into American social and cultural life and Lim's own professional positioning in the American academy register tensions and contradictions in their literary representation of the experience of successful assimilation? Do Mukherjee and Lim's prior identities as postcolonial subjects (India and Malaysia were once British colonies) inflect in distinctive ways their representation of assimilation and marginalization and home and homelessness in the American Promised Land that is the controlling telos of Asian immigrant desire?
A Lesson Learned in an Epistemology for Anthropology
Anthropology, with its deep commitment to fieldwork, has produced, through the dialectics of learning and unlearning, a contradictory self-understanding of the nature of the knowledge it has produced: one that is driven by a search for certainty, on the one hand, and by a desire for surprise, on the other. This article narrates a genealogy of anthropological perspectives that derive from the latter desire, the one that aims to undermine constantly that which is taken for granted. It shows how this perspective—often underappreciated these days in places where anthropological knowledge has been required to legitimate itself on an activist ground—has affected the way in which the author, a Japanese anthropologist, understands his fieldwork experience in Guatemala.
The Homoerotics of Male Nursing in Dickens's Fiction
Eve Sedgwick's Between Men: English Literature and Male Homosocial Desire (1985) has had a hugely enabling impact on gay, lesbian and queer studies, and its two chapters on Dickens do the initially useful work of recognising the existence of alternative sexualities within his work. Yet, Sedgwick insists that Dickens always offers such representations from an inherently homophobic perspective. Though recognising a debt to Sedgwick, this article is strongly committed to demonstrating the fallacy of her influential paradigm that the homoerotic emerges most strongly in Dickens's work through violence. Sedgwickian readings privilege the cultural currency of sexual violence, built up through contemporary modes such as flagellatory pornography. However, other, gentler ways of touching also had highly erotic connotations during the period of Dickens's career. This paper focuses on the Victorian sexualisation of nursing, arguing that Dickens deploys the eroticising of nurse/patient roles in Martin Chuzzlewit and Great Expectations to develop more affirmative, tender strategies for articulating desire between men.
The fundamental sustainability tension may be said to lie in reconciling want and greed. This places the human self or the human soul as a moral battleground where desire and duty constantly attempt to triumph over each other. However, desire must be understood and integrated as part of a fully self-conscious human self in order to enable a consistent and unwavering performance of duty. In this article, I propose the Hindu notion of the purusharthas, or the fourfold path to self-actualization, as one illustrative example of a green telos. The purusharthas prescribe a path comprising of material and sensuous experience, in obedience to dharma or duty, such that moksha or a state of complete self-awareness may be achieved. I suggest that the stage of dharma is thus where the most profitable connections between Hinduism and sustainable development might be made.