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Laurel Hart, Pamela Lamb, and Joshua Cader

which their technologically-mediated society operates. The primer incorporates illustrated, multimedia, and animation components, drama and actors (performance), gameplay, imagined scenarios and female role models. Similar contemporary technologies that

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Terms of Silence

Weaknesses in Corporate and Law Enforcement Responses to Cyberviolence against Girls

Suzanne Dunn, Julie S. Lalonde, and Jane Bailey

address issues like nonconsensual distribution, as Emma Ellis (2017) makes clear, other issues remain. For example, these technologies do not disturb the serious impact that the commercial data-in-exchange-for-service model underlying the Internet can

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Miley, What’s Good?

Nicki Minaj’s Anaconda, Instagram Reproductions, and Viral Memetic Violence

Aria S. Halliday

the Literature and a Model for Future Research .” Media Psychology 4 ( 1 ): 279 – 305 . https://doi.org/10.1207/S1532785XMEP0403_04 10.1207/S1532785XMEP0403_04 Halliday , Aria . 2017 . “ Envisioning Black Girl Futures: Nicki Minaj’s Anaconda

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Sami Schalk

disability doll accessories potentially allow disabled girls to model their dolls and doll play after themselves. This is important because, as Deborah Stienstra notes, “play of children with disabilities is often linked with therapy and part of

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Marie Puysségur

) denote the dissolution of the British age of affluence and, on the other side of the Channel, the splintering of the French Republican model of social mobility and postcolonial integration ( Lapeyronnie 2005 ): unlike Mia, Marieme and the three members of

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Thatcher’s Sons?

1980s Boyhood in British Cinema, 2005–2010

Andy Pope

Lawrence as a father figure are repelled by his brother who shares his unarticulated sense of abandonment. It is this mutual search for a masculine role model that ultimately draws Will and Lee together. The narrative also highlights contemporary popular

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Sharing Images, Spoiling Meanings?

Class, Gender, and Ethics in Visual Research with Girls

Janet Fink and Helen Lomax

article might be resolved. We would suggest, however, that drawing on an ethic of care and on a model of representational ethics can usefully bring the particularities of this ethical dilemma into view and sharpen understanding of what must be confronted

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“The Dragon Can't Roar”

Analysis of British Expatriate Masculinity in Yusuf Dawood's One Life Too Many

Antony Mukasa Mate

in a state of conflict as women reinvent themselves while men strive to maintain old gender models ( Newell 2009 ). This situation portends a masculine identity crisis. The key protagonist in the text under focus, Sydney Walker, finds himself in this

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Dustin William Louie

, what recruitment in Prince Albert looks like, and which pedagogical models should be used in prevention education. Although the outcomes of this research are not expected to provide the sole basis of prevention education, the data offer a starting point

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“Loving and Cruel, All at the Same Time”

Girlhood Identity in The Craft

Emily Chandler

with the girls-in-crisis narrative. However, The Craft diverges from the girls-in-crisis model in one significant way: Pipher’s work is often criticized for failing to explore girls’ resistance to patriarchy ( Brown 1998 ; Leblanc 1999 ). While the