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Alena Minchenia

and are motivated to change the power. Looking from the perspective of performativity, the figure of the protester, in general, is the effect of repetitive performances of dissent and of accompanying recognition of these performances as such. Yet

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Around Abby Day’s Believing in Belonging

Belief and Social Identity in the Modern World

Christopher R. Cotter, Grace Davie, James A. Beckford, Saliha Chattoo, Mia Lövheim, Manuel A. Vásquez, and Abby Day

with their death; and (4) census and survey questions about religion produce unreliable guides to belief and/or identities. Nevertheless, there is one thing that puzzles me about Abby’s approach to the performance of belief in belonging. This is the

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The Permeable Olympic Fortress

Mega-Event Security as Camouflage in Rio de Janeiro

Dennis Pauschinger

state to punish and correct disorder in society, Daniel Goldstein (2004: 25, 182 ) develops this notion further and demonstrates in his ethnography of lynching in urban Bolivia that spectacular violent performances can configure a mechanism of

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Ronald Stade

performance of their profession can bring on, their answers, which are meant to resolve or at least disarm such conflicts, seem as unsatisfying as anthropologists invoking “methodological relativism” (as opposed to moral relativism) to calm the nerves of their

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Jonathan Bach, Heather L. Dichter, Kirkland Alexander Fulk, Alexander Wochnik, Wilko Graf von Hardenberg, and Carol Hager

inconsistencies. Michael Krüger, Christian Becker, and Stefan Nielsen, German Sports, Doping, and Politics: A History of Performance Enhancement (Lanham: Rowman & Littlefield, 2015) Reviewed by Heather L. Dichter, Human Performance and Health Education, Western

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Catherine N. Butcher

who fall short in their formal evaluation receive coaching and an opportunity to improve their performance. Sanctions, although rare, include probation, suspension or even dismissal if performance is unsatisfactory. Upon graduation, students receive an

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The Power of Silence

Sonic Experiences of Police Operations and Occupations in Rio de Janeiro's Favelas

Sterre Gilsing

pacification in an adapted way ( Menezes 2018 ). Therefore, they can be better understood as spectacular performances of power by the state ( Robb Larkins 2015 ). During operations, security personnel perform the state both to others and to themselves ( Savell

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Pegida

A Hybrid Form of a Populist Right Movement

Ina Schmidt

Revolution (Michigan 1977), 11. 4 Ibid., 10. 5 Sidney Tarrow, Power in Movement: Social Movements and Contentious Politics (New York 1994), 4. 6 Charles Tilly, Contentious Performances (Cambridge 2008), 5. 7 Tarrow (see note 5), 2. 8 Mario Diani, “The

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Wenn eine Band lange Zeit lebt

Puhdys, Politics, and Popularity

John Littlejohn

at the Republic’s youth in an effort to make them hostile to the principles of Socialism.” 5 It was also in 1958 that the government implemented the quota for music on the airwaves and in live performances. The quota allowed a maximum of 40 percent

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The Ill-Equipped Modernist

Historicizing Édouard Dujardin’s Les Lauriers Sont Coupés

Kelly J. Maynard

of Alsace and Lorraine. 32 In the fall of 1876, for example, the Parisian police monitored violence inside and outside the concert hall during one of conductor Jules Pasdeloup’s weekly orchestral performances. 33 The problem? He had programmed a