up (or literally, a set of orbits whitened up) enough to be seen while simultaneously reassuring the viewer of the accuracy of the blackface stereotype through the inscription of natural “life-like” non/human movement ( Fleischer 1915 ). Max
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Before and After Ghostcatching
Animation, Primitivism, and the Choreography of Vitality
Heather Warren-Crow
Monstrous Masses
The Human Body as Raw Material
John Marmysz
: 129). As with the female stereotype discussed above, such depictions are criticized for encouraging audiences to look at the male body as something with no inner life. In its “hardness” it is solid—like an inert “thing”—and even though depicted as
Emma Celeste Bedor
stereotypically “unlady-like” behaviors today, such as having their nude photos taken by partners or taking these photos themselves. She explains that the Internet has led to the generation of a “new sexual contract” in which, the kind of freedoms associated