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Before and After Ghostcatching

Animation, Primitivism, and the Choreography of Vitality

Heather Warren-Crow

up (or literally, a set of orbits whitened up) enough to be seen while simultaneously reassuring the viewer of the accuracy of the blackface stereotype through the inscription of natural “life-like” non/human movement ( Fleischer 1915 ). Max

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Monstrous Masses

The Human Body as Raw Material

John Marmysz

: 129). As with the female stereotype discussed above, such depictions are criticized for encouraging audiences to look at the male body as something with no inner life. In its “hardness” it is solid—like an inert “thing”—and even though depicted as

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Emma Celeste Bedor

stereotypically “unlady-like” behaviors today, such as having their nude photos taken by partners or taking these photos themselves. She explains that the Internet has led to the generation of a “new sexual contract” in which, the kind of freedoms associated