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Social Isolation and Disrupted Privacy

Impacts of COVID-19 on Adolescent Girls in Humanitarian Contexts

Sarah Baird, Sarah Alheiwidi, Rebecca Dutton, Khadija Mitu, Erin Oakley, Tassew Woldehanna, and Nicola Jones

girls, but address the interests, access requirements, and strengths of people whose voices tend to be overlooked or obscured in traditional research approaches ( Mitchell and Reid-Walsh 2009 ; Mohanty 2013 ). The GAGE methodological toolkit is designed

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Queer Girlhoods in Contemporary Comics

Disrupting Normative Notions

Mel Gibson

women. … Generally, they feature lady protagonists kicking ass in a variety of positive ways. … It's hopeful to write stories that exist in that space, because it gives you strength. I think it's very valuable and very important (quoted in Ching 2017

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Sarah Hill

independence, assertiveness and strength, laced with patriarchal notions of beauty and attractiveness. Girl Power, thus defined, leaves neither material nor discursive spaces for differentially constituted disabled girlhood” (2005: 254). This lack of space for

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Consent is not as Simple as Tea

Student Activism against Rape Culture

Brittany Adams

capitalize on their strengths to develop and execute a manageable project. Had participants developed or even executed individual projects, I am not certain all of them would have been as satisfied with the book study. I am hesitant to claim that the student

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Gianni Barchiesi, Laura T. Di Summa, Joseph G. Kickasola, and Peter Verstraten

conversational audiences). Hanich presents these two modes as having equal validity, different strengths, and roots in general human agency. For instance, contra many ideological film theories, to be quiet and attentive in a movie theater is not necessarily

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Jason Dean and Geoffrey Raynor

of superhuman stature and strength, inhuman mechanical features, and a kind and good interior beneath his frightening exterior. It seems that it would be difficult for one real man to fulfill all those roles, so Lucas chose to use three different

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Christopher Blake Evernden, Cynthia A. Freeland, Thomas Schatz, and Frank P. Tomasulo

conception of horror as a “dark stage,” one that has a special appeal to women because it challenges gender expectations and norms (4). A great strength of the book is Schubart's embrace of “anecdotal evidence” in her analysis. This gives the text an

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Eliza Deac

about the disruptive force of writing. Far from claiming that the written poem embodies a natural totality, Shelley’s comment shows his conscious awareness of the fact that the apparent wholeness of any text is an illusion whose strength depends on the

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Kata Szita, Paul Taberham, and Grant Tavinor

with tree narratives, and embodied interaction with personal media platforms such as virtual reality. The book's strength lies in the editing: the continuity and cohesion between articles, theories, and case studies offer a strong thread through

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Designing a New Method of Studying Feature-Length Films

An Empirical Study and its Critical Analysis

Jose Cañas-Bajo, Teresa Cañas-Bajo, Eleni Berki, Juri-Petri Valtanen, and Pertti Saariluoma

said data with meaning ( Creswell and Clark 2017 ; Creswell et al. 2003 ). Our objective was to draw on the strengths of each data source (triangulation, complementarity, and diversity) and to try to reduce some of the limitations (validity and