The critique of foundations has been a dominant concern of contemporary philosophy and theory in the last decades. One might trace this interest back to Friedrich Nietzsche’s radical questioning of knowledge and truth. It has produced its most elaborate results in the works of deconstructionist thinkers, among whom one might list Gilles Deleuze. His, admittedly very dense and at least at first glance opaque, excursion on foundations cited above even invokes the term ‘soil’ as an attempt to distinguish grounds and foundations as ultimately metaphysical constructions from their material and empirical bases with whom they interact to form human experience and history.
The Erotics and Politics of the Soil in Contemporary Poetry
Natália da Silva Perez
Derek Ryan’s Virginia Woolf and the Materiality of Theory is an exploration of “Woolf’s writing alongside Deleuze’s philosophy and new materialist theories of ‘sex’, ‘animal’ and ‘life’.” What might at first glance sound like yet another exegetical effort to elucidate new meanings in Woolf’s writing—this time using new materialist approaches—is in fact a claim towards an understanding of Woolf’s literary practice as itself a form of theorizing. In Ryan’s intriguing study, Woolf emerges as a precursor of, and inspiration for, contemporary philosophical and critical approaches that privilege matter and material relations as productive venues for “nonanthropocentric conceptualizations” of the world (9).
Between Contestation and Mediation
In light of the pragmatic aspirations of ordinary language philosophy, this essay critically examines the competing grammatical strictures that are often set forth within the theoretical discourse of 'power'. It repudiates both categorically appraisive employments of 'power' and the antithetical urge to fully operationalize the concept. It offers an attenuated defense of the thesis that 'power' is an essentially contestable concept, but rejects the notion that this linguistic fact stems from conflict between antipodal ideological paradigms. Careful attention to the ordinary pragmatics of power-language evinces the prospects for integrating various context-specific aspects of power and mediating between traditionally divergent theoretical frameworks.
His Concept of the Concept and Neo-Kantianism
Elías José Palti
The present article intends to trace the conceptual roots of Koselleck’s concept of the concept. Koselleck’s distinction between ideas and concepts has its roots in the logic of Hegel, who was the first to elaborate on the multivocal nature of concepts as their distinguishing feature vis-à-vis ideas. The main hypothesis proposed here is that Koselleck reformulated Hegel’s view on the basis of the neo-Kantian philosophies developed at the turn of the century, with which his theory maintains a tense relationship, without breaking, however, some of its fundamental premises.
‘What can one know about a man, today?’ When Sartre poses this question on the opening page of the first volume of L’Idiot de la famille, he encapsulates a huge project with teasing casualness. He brings together two of the four fundamental questions of philosophy formulated by Kant, ‘What can I know’ and ‘What is the human being’; and whilst the final word, today, indicates that our knowledge of others is bound to our own historical moment, for Sartre understanding others also necessarily entails attempting to under- stand their relation to history.
Phyllis Sutton Morris, co-founder of the Sartre Society of North America and member of its executive committee for several years, died on May 31, 1997 from complications due to cancer. Phyllis received her undergraduate degree in philosophy from the University of California at Berkeley and her doctorate from the University of Michigan. She taught for several years at Kirkland College in New York and was, at various times in more recent years, on the faculty at LeMoyne College, Oberlin College, and the University of Michigan. She was a devoted teacher who dedicated a great deal of time and energy to preparing her classes and to meeting with students.
This article explores interactions with difference, highlighting what I call the “generosity paradox,” a term that refers to how we suspend disbelief and certainty in favor of a constructed potentiality not limited by preexistent knowledge or categories of authenticity and legitimacy. Touching on overlapping concepts from rhetoric, philosophy, gender studies, disability studies, and queer theory, the discussion explicates fictional encounters with radical alterity in the film Her (Spike Jonze, 2013) to show that attempted respite from frustrating, confusing, and frightening interactions limits our voice, undermines difference, and favors a unifying persuasive intent, which more likely than not involves an attempt to change Others rather than allowing our mutual differences to generatively remain.
Ian Birchall, Steven Hendley, and Phyllis Morris
Noureddine Lamouchi, Jean-Paul Sartre et le tiers monde, Paris: L’Harmattan, 1996, 346 pp. ISBN 2-7384-4179-3, Ffrs.180.50 Review by Ian Birchall
Thomas R. Flynn, Sartre, Foucault, and Reason in History, Volume 1: Toward an Existentialist Theory. Chicago: The University of Chicago Press, 1997, 340 pp., ISBN 0-226-25468-2, $18.95 (paper). Review by Steven Hendley
William L. McBride, ed., Sartre and Existentialism: Philosophy, Politics, Ethics, The Psyche, Literature, and Aesthetics, Garland Publishing. 8-volume set $583/or by volume. Toll-free (U.S.) 800-627-6273 Review by Phyllis Morris
Projecting False Memories
This article offers a critical exploration of social studies textbooks and allied curriculum materials used in New South Wales primary schools between 1930 and 1960, and of the way in which these texts positioned, discussed, and assessed Aboriginal Australians. With reference to European commitments to Enlightenment philosophies and social Darwinian views of race and culture, the author argues that Aboriginal peoples were essentialized via a discourse of paternalism and cultural and biological inferiority. Thus othered in narratives of Australian identity and national progress, Aboriginal Australians were ascribed a role as marginalized spectators or as a primitive and disappearing anachronism.
Jeffrey M. Zacks, Trevor Ponech, Jane Stadler, and Malcolm Turvey
Gallese, Vittorio, and Michele Guerra. The Empathic Screen: Cinema and Neuroscience. Trans. Frances Anderson. Oxford: Oxford University Press, 2019, 272 pp., $45.00, ISBN: 9780198793533.
Rawls, Christina, Diana Neiva, and Steven S. Gouveia, eds. Philosophy and Film: Bridging Divides. New York: Routledge, 2019, 389 pp., $160 (hardback), ISBN: 978-1-138-35169-1.
Moss-Wellington, Wyatt. Narrative Humanism: Kindness and Complexity in Fiction and Film. Edinburgh: Edinburgh University Press, 2019, 256 pp., $29.95 (paperback), ISBN: 9781474454322.
Perez, Gilberto. The Eloquent Screen. Minneapolis: University of Minnesota Press, 2019, 448 pp., $29.95, ISBN: 978-0-8166-4133-8.