that the act is wrong: “for A to be ‘less immoral’ does not rid it of the bad faith characterized by objectification and by choosing not to see all the evidence regarding the brutality of counter-violence and terror.” Ibid., 80. 28 Ibid., 65. 29 NE
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In Sartre Studies International
- Published (Print):
- 01 Dec 2017
- Article Type:
- Research Article
- Pages:
- 82–97
Whitewashing History
Pinker’s (Mis)Representation of the Enlightenment and Violence
Philip Dwyer
See, for example, K. B. Wilson, “Cults of Violence and Counter-Violence in Mozambique,” Journal of Southern African Studies 18, no. 3 (September 1992): 527–582; and John Keane, Violence and Democracy (Cambridge: Cambridge University Press, 2004
In Historical Reflections/Réflexions Historiques
- Published (Print):
- 01 Mar 2018
- Article Type:
- Research Article
- Pages:
- 54–65
Incarnation, Alienation, and Emancipation
A Sartrean Analysis of Filmic Violence
Daniel Sullivan
- assimilates his human dignity to the counterviolence which maintains it. He dignifies the latter with the name of strength . The upright man must be strong; strength is the proof of his right. The reason is simple: if he is defeated, he is subjected to the
In Sartre Studies International
- Published (Print):
- 01 Dec 2020
- Article Type:
- Research Article
- Pages:
- 1–21
Cyrus Shahan
Baader-Meinhof Gang’s counterviolence. The precisely truncated lyrics, “ heldentum / eigentum / eigenheim / stammheim ,” keywords to the “German Autumn,” overshadow the track at irregular moments. Paired with sequencer and synthesizer distortions
Tal Correm
counter-violence of resistance (1968: 249–310, 2018: 511–530; Gibson 2018:119–20 ; Gibson and Beneduce 2017 ). Even in situations where there is seemingly a clear distinction between perpetrators and victims, Fanon's analysis in line with the grey zones
Brendan Rooney, Hanna Kubicka, Carl Plantinga, James Kendrick, and Johannes Riis
, tragic necessity, counterviolence, instrumental violence, senseless violence, and expressive violence—each of which has its place in both society and its entertainments. He also delves into various aspects of how we respond to film violence emotionally
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