Red Book. As mentioned, the official title of the Little Red Book was Quotations from Chairman Mao , in Pinyin, Máo Zhǔxí Yǔlù . The last word in the title refers to the traditional Chinese genre of yǔlù , the paradigm of which is the Analects , a
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The White Cotton Robe
Charisma and Clothes in Tibetan Buddhism Today
Magdalena Maria Turek
depicting Karma Norbu in the same attire (see fig. 1 ). Tsültrim Tarchin’s disciples display the pictures in cars, houses, and meditation huts and actively take part in circulating them. This genre of artistic representation has historically played an
Abhishek Choudhary, Rhys Machold, Ricardo Cardoso, Andreas Hackl, Martha Lagace, and Carly Machado
, chapter-length studies of two different topics in space and time. (Per Mikhail Bakhtin, a chronotope encapsulates how time and space are represented in different genres of narration: in an epic as distinct from a comedy, for example.) Ferme's first
Liberation Autochthony
Namibian Veteran Politics and African Citizenship Claims
Lalli Metsola
examples, see Nujoma (2001) ; SWAPO (1981) . For a more detailed account of this genre, see Metsola (2015: 191–195 ). 4 See articles in the following newspapers: The Namibian , 10, 21 April, 9, 17 May 1995, 7 May, 26 June, 29 September, 24, 28, 31
Weapons for Witnessing
American Street Preaching and the Rhythms of War
Kyle Byron
. The genre of the jeremiad, for example, is characterized by the invocation of a pure past and the rejection of a fallen present, eventually resolving in a passionate call for repentance—narrative movements inspired by the biblical themes of creation
An Ethics of Response
Protestant Christians’ Relation with God and Elsewheres
Ingie Hovland
.1111/1467-9655.12592 Bialecki , Jon . 2015 . “ Affect: Intensities and Energies in the Charismatic Language, Embodiment, and Genre of a North American Movement .” In The Anthropology of Global Pentecostalism and Evangelicalism , ed. Simon Coleman and Rosalind I. J
Jack Hunter, Annelin Eriksen, Jon Mitchell, Mattijs van de Port, Magnus Course, Nicolás Panotto, Ruth Barcan, David M. R. Orr, Girish Daswani, Piergiorgio Di Giminiani, Pirjo Kristiina Virtanen, Sofía Ugarte, Ryan J. Cook, Bettina E. Schmidt, and Mylene Mizrahi
9780226355870. The idea that we must face death alone is widespread. It appears everywhere, across cultures and genres, from popular songs and stories to Heidegger’s assertion that “every man is born as many men and dies as a single one.” Robert Desjarlais
Eschatology, Ethics, and Ēthnos
Ressentiment and Christian Nationalism in the Anthropology of Christianity
Jon Bialecki
‘religious’ in culture and sartorial style, uses worship music heavily influenced by popular music genres and instrumentation, and sees its central mission as ‘planting’ new churches. Finally, most Calvary Chapels are more likely to meet in a school
Emergent Police States
Racialized Pacification and Police Moralism from Rio's Favelas to Bolsonaro
Tomas Salem and Bjørn Enge Bertelsen
help me catch those guys. Among officers, then, funk parties and funk music, especially the genre of proibidão (lit. “forbidden”), expressed the “culture of trafficking” that they thought to be common among favela residents (see Muniz and
Recapturing the Lost
Digitalized Memories of the Rhodesian Bush War
Ane Marie Ørbø Kirkegaard
the Institution: The Transformation of a Narrative Genre .” Nordicom Review 33 ( 2 ): 17 – 26 . doi:10.2478/nor-2013–0011 . 10.2478/nor-2013-0011 Kirkegaard , Ane Marie Ørbø . 2004 , “ A Matter of Difference? Family Planning and Gendered