identification with a diegetic character. Film viewing is thus conceived as a venue for dynamic intersubjective communication, involving the spectator, the film, and the maker. 3 In this article I highlight haptic apparatuses at work in Solomon’s films. Beyond
A Haptic Reading of Phil Solomon’s Experimental Films
Everyday Peace and the Other in Bosnian Mixed-Ethnicity Families
achievement shadowed by other possibilities, the outcome of careful intersubjective work. I draw on the Conversation Analysis tradition, including the work of Harvey Sacks (1984) , who argued that we should think not of ordinary people but of people who are
Adjudicating Moral Being and Becoming in the Los Angeles Mental Health Court
Abigail Jane Mack
to the actions of others. The contingency and deep intersubjectivity of anticipating our way towards repair becomes impossible to ignore. Department 95 and the Writ of Habeas Corpus Hearing: time and procedure in court Currently, Los Angeles
Julie Van der Wielen
Sartre's analysis of intersubjective relations through his concept of the look seems unable to give an account of intersubjectivity. By distinguishing the look as an ontological conflict from our relation with others in experience, we will see that actually intersubjectivity is not incompatible with this theory. Furthermore, we will see that the ontological conflict with the Other always erupts in experience in the form of an emotion, and thus always involves magic, and we will look into what the presence of the Other adds to such emotion. Emotions I have in front of the Other are directed toward my being-for-others, which escapes me by definition. This has a peculiar consequence when the imaginary is involved, which could help explain complexes such as narcissism and paranoia.
Jennifer Ang Mei Sze
Sartrean ontological intersubjectivity is often understood to be hostile and conflictive, and Sartrean dialectics is repeatedly interpreted through the lenses of the Hegelian master-slave dyad, translating into a conflictive theory of practical ensembles. Building on this, critics in the aftermath of 9/11 argued that 'terror' and 'revolutionary violence' introduced in Critique of Dialectical Reason as the anti-thesis of oppression underscored his anti-colonial writings and this gives us justification to think that Sartre might consider terrorism a form of revolutionary violence.
With this in mind, this paper does not deal with the bigger issue of Sartre's political position, but only aims to question the basis of reading Hegelian dialectics in Sartre's ontology of intersubjectivity and social ensembles. Revisiting the role of dialectics in his Search for a Method and Critique of Dialectical Reason, it reveals a Sartre who is critical of Hegelian dialectics, and establishes his intersubjectivity as more compatible with Heidegger's being-with-others rather than Hegel's being-for-others.
This issue of Critical Survey seeks to affirm the importance of contemporary poetry. For poetry can make something ‘happen’ – in the sphere of intersubjective awareness, of intelligence, of general ideology. That is not ‘nothing’. As guest editor, I am grateful to academic colleagues and featured poets alike for making this edition possible. The focus here is on British poetry written by men. Although the articles do not engage directly with a recent interest in ‘Masculinities’, it is implicit that poetic exploration of what it is to be gendered male is an important issue.
Many of the ways in which artifacts appear to or actually do affect us—as elegant, dynamic, comfortable, authentic—are based on the fact that they are designed objects. Design is an effect-oriented process that resorts to design rules linking formal aspects of designed artifacts to specific design effects. Design rhetoric tries to capture these links between design techniques and resulting effects. This article presents design-rhetorical methods of identifying design rules of intersubjective validity. The new approach, developed at Bern University of the Arts, combines rhetorical design analysis with practice-oriented design research, based on the creation and empirical testing of design variants in accordance with effect hypotheses.
Modern Pilgrimage and the Expression of Suffering on Spain's Camino de Santiago
This article examines the experiences of walkers along the Spanish Camino de Santiago pilgrimage. It explores their journeys as exercises in narrative adjustment, social practices, and somatic experiences of a crippling loss of control over the course of their lives. Using a phenomenological method of descriptions, the article argues that mobility is a trope that expresses existential issues in a bodily idiom. It draws attention to the value of inter-subjective experience as a potential source of existential mobility, one that finds metaphorical expression in the slow daily rhythms structuring pilgrims' journeys and that impacts on the researcher as much as the pilgrims.
Debra Jackson, David Detmer, and Kenneth L. Anderson
Jon Stewart, ed., The Debate Between Sartre and Merleau-Ponty, Evanston, Illinois: Northwestern University Press, 1998, 634 pp. ISBN 0-8101-1532-8 (paper). Review by Debra Jackson
Sartre’s Radicalism and Oakeshott’s Conservatism: The Duplicity of Freedom. Anthon Review by David Detmer
Roger Frie, Subjectivity and Intersubjectivity in Modern Philosophy and Psychoanalysis: A Study of Sartre, Binswanger, Lacan, and Habermas. Lanham, MD, Boulder, New York and London: Rowman & Littlefield Publishers, 1997, 227 pp., ISBN 0-8476-8415-6, $57.50 (cloth). Review by Kenneth L. Anderson
Operationalizing Emotion through Ethnography
This article illustrates a case study of an ethnographic research project in order to highlight the processes by which the project thesis emerged, the form of the knowledge on which it is based, and the relationship of that form of knowledge to other disciplines. The case-study is part of a larger ethnographic research project based in Jerusalem area between 2011 and 2012 on the sociality and affective processes involved in what is normally referred to as pro-Palestinian activism. Current anthropological concerns and debates are highlighted and discussed by following the ethnographic process from the development of a proposal based on a perceptual model of affect (Damasio, 2000), to ‘learning with people’ to the fieldwork phase (Ingold, 2008), to the analysis, interpretation of findings through the intersubjective faculty of judging (Arendt, 1968). Specifically, this work aims to clarify the form and validity of knowledge produced by an ethnographic engagement with phenomenological theory. Using an extract from field notes, from which I developed a thesis on role of weirdness in dissent, I highlight the intersubjective and emergent nature of knowledge production in ethnography through the development of trusting relationships with participants and the generative tensions and possibilities of being a researcher while also becoming an activist. In this process, the knowledge produced represents neither the participants’ nor the researcher’s understandings of the world but resides in what Arendt called a ‘third position’. Such a method of knowledge production should also be apposite to interdisciplinary exchanges within academia."