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Jane Stadler

2019 ). Stadler , Jane . 2008 . Pulling Focus: Intersubjective Experience, Narrative Film and Ethics . New York : Continuum . 10.5040/9781628928891 Striphas , Ted . 2015 . “ Algorithmic Culture .” European Journal of Cultural Studies

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Jens Eder

, control, inter-subjectivity, and language-dependence, among others—are mostly matters of degree. 5 The concept of existential feelings is useful because it throws light on a dark corner of that field. Ratcliffe’s list of examples (quoted above) includes

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Laura T. Di Summa

's preference for savory as opposed to sweet foods—and cannot be expressed objectively. Carroll replies that the objection is misguided in the first place, as both Hume and Kant, who discuss taste and beauty, do allow for the possibility of intersubjective

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Redefining Representation

Black Trans and Queer Women’s Digital Media Production

Moya Bailey

have interactions across the network not only with the two of them. Here, #girlslikeus has become intersubjective and tends toward decentralization. Though it tends toward this decentralization, it is significant to note that #girlslikeus—even in the

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Gal Raz, Giancarlo Valente, Michele Svanera, Sergio Benini, and András Bálint Kovács

to movies ( Hasson et al. 2004 ). To assess the functional significance of their finding, these authors adopted a “reverse correlation” approach: they selected a portion of the highest peaks of the intersubjectively correlated signal in predefined

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Jeffrey M. Zacks, Trevor Ponech, Jane Stadler, and Malcolm Turvey

intersubjective comprehension, which helps us to navigate the increasingly changeful social world. Humanism is a contested term and the book is not clearly aligned with a particular tradition of thought; however, Moss-Wellington is influenced by the work of Edward

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Other Sides

Loving and Grieving with Heart of a Dog and Merleau-Ponty's Depth

Saige Walton

moments of inspiration in film as an intersubjective, “full-bodied opening or suffusion” ( 2009, 146 ). 12 Suffusion need not be mediated through human bodies, however. It can be brought into prominence (and visibility) through a film's stylized

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“There’s nothing makeup cannot do”

Women Beauty Vloggers’ Self-Representations, Transformations, and #thepowerofmakeup

Michele White

practice” (42). Cahill argues that differentiating between the “process and product of beautification allows us to isolate those aesthetic, inter-subjective, and embodied elements that empower rather than disempower women.” Beauty vloggers propose that

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Mirror Neurons and Film Studies

A Cautionary Tale from a Serious Pessimist

Malcolm Turvey

.” Science 308 ( 5722 ): 662 – 667 . . 10.1126/science.1106138 Gallese , Vittorio . 2003 . “ The Roots of Empathy: The Shared Manifold Hypothesis and the Neural Basis of Intersubjectivity .” Psychopathology

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Toward a Model of Distributed Affectivity for Cinematic Ethics

Ethical Experience, Trauma, and History

Philip Martin

University Press . 10.1093/acprof:oso/9780198790648.001.0001 Stadler , Jane . 2002 . “ Intersubjective, Embodied, Evaluative Perception: A Phenomenological Approach to the Ethics of Film .” Quarterly Review of Film & Video 19 ( 3 ): 237 – 248 . doi