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Brenda Austin-Smith, Matthew Cipa, and Temenuga Trifonova

.g., postcolonial theory, race studies, globalization, gender studies, cultural studies). To her credit, Wheatley acknowledges feminist critiques of the heteronormative, patriarchal slant of Cavell's thought and his complicity in “a particular brand of American

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Guest Editor's Introduction

Phenomenology Encounters Cognitivism

Robert Sinnerbrink

shaping our engagement with (popular) cinema and the manner in which it can serve as a powerful vehicle of ideological influence, especially with regard to key aspects of personal identity (e.g., gender, race, and class). Can cognitivist theories engage

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India Halstead

–1975, Figure 4 )—a film shot when Horn was living in New York—articulates this ongoing battle between communion and disjunction. In the piece, a man and a woman attempt to walk with their legs joined by strips of magnets, recalling a childhood three-legged-race

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Ambivalent Sexualities in a Transnational Context

Romanian and Bulgarian Migrant Male Sex Workers in Berlin

Victor Trofimov

age, race, class, and gender, but also concerning what forms of sexuality are accepted within a particular national body ( Stambolis-Ruhstorfer 2017 ). In this regard, the difference between Western and Eastern Europe needs to be mentioned. While it is

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Before and After Ghostcatching

Animation, Primitivism, and the Choreography of Vitality

Heather Warren-Crow

arts, which embraced primitivism in an attempt to “exorcize the interiorized structures separating [European artists] from the authenticity of their own childhoods and of the childhood of their ‘race’” ( Leighten 2013: 60 ). 4 Primitivism in animation

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Tru Leverette and Barbara Mennel

Zélie Asava. Mixed Race Cinemas: Multiracial Dynamics in America and France (New York Bloomsbury, 2017). 216 pp., ISBN: 1501312456 (paperback: $35.96)

Elizabeth Otto and Patrick Rössler, eds. Bauhaus Bodies: Gender, Sexuality, and Body Culture in Modernism’s Legendary Art School (New York: Bloomsbury Visual Arts, 2019). xl + 345 pp., ISBN: 9781501344787 (hardback, $110), (paperback, $29.95)

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Elizabeth Jochum, Graeme Stout, and Brian Bergen-Aurand

Jennifer Rhee, The Robotic Imaginary: The Human and the Price of Dehumanized Labor (Minneapolis: University of Minnesota Press, 2018). 240 pp., ISBN: 978151790298 (paperback, $27)

Soraya Murray, On Video Games: The Politics of Race, Gender and Space (New York: I. B. Tauris, 2018). xv + 315pp., ISBN: 9781786732507 (PDF eBook, $82.50)

Ari Larissa Heinrich, Chinese Surplus: Biopolitical Aesthetics and the Medically Commodified Body (Durham, NC: Duke University Press, 2018). 264 pp., ISBN: 9780822370536 (paperback, $25.95)

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Jess Dorrance

W. E. B. Du Bois's album Types of American Negroes, Georgia, U.S.A. as shown in Shawn Michelle Smith's book Photography on the Color Line: W. E. B. Du Bois, Race, and Visual Culture (2004). Image courtesy of the artists. The third

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Redefining Representation

Black Trans and Queer Women’s Digital Media Production

Moya Bailey

health and social needs are addressed—unlike with other types of difference, such as race—the use of such hashtags as #girlslikeus allows for a network where this information can be dispensed, even with anonymity. In addition, transitioning “vlogs” or

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Peter Lurie, Antonio Sanna, Hansen Hsu, Ella Houston, and Kristof van Baarle

Alice Maurice, The Cinema and Its Shadow: Race and Technology in Early Cinema (Minneapolis: University of Minnesota Press, 2013), 288 pp. + 30 b&w photos. ISBN 978-0-8166-7805-1 (paperback, $25), 978-0-8166-7804-1 (hardback, $75). Reviewed