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The Aesthetics of Boredom

Slow Cinema and the Virtues of the Long Take in Once Upon a Time in Anatolia

Emre Çağlayan

, fidgeting continuously between moments of sheer restlessness, boredom, and pronounced anticipation” ( 2004: 284–287 ). Similarly, Patrice Petro finds Warhol’s and Akerman’s films marked by an “an aesthetics of boredom [that] retains the modernist impulse of

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Ad Fontes Digitales!?

Margins of Representation When Incorporating Medieval Sources into a German Digital History Textbook

Andreas Willershausen

's alleged goals. 91 As a result of this anticipation on the part of the author, learners are no longer able to pursue these options for interpretation on their own. Would it not have been technically possible to use the mBook' s mark and comment functions

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Jens Eder

, anticipations of what kinds of experiences are generally possible in the world. Finally, they provide a background to other experiences as “ways of finding oneself in the world and with other people, which shape all experience, thought and activity” ( Ratcliffe

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Ted Nannicelli

Neurons, and Contemporary Action Cinema,” Vassilieva probes Eisenstein's influences, connections, and collaborations with his contemporaries working in the sciences of the mind, noting an anticipation of some important contemporary trends in the field

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Toward a Naturalized Aesthetics of Film Music

An Interdisciplinary Exploration of Intramusical and Extramusical Meaning

Timothy Justus

's (2006) Sweet Anticipation , for example, was heavily influenced by schema theory. The lasting appeal of schemata to the psychology of art is this: across a variety of art forms, especially art that unfolds over time, the activation of schematic

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Theorizing “The Plunge”

(Queer) Girls’ Adolescence, Risk, and Subjectivity in Blue is the Warmest Color

Michelle Miller

many of the orientations of girlhood, simultaneously reflecting both worry and anticipation. In the original French, the anxiety to meet people and experience things is expressed thus: “ j’ai soif ,” which may be more directly translated as being

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Patrick Keating

easy understanding after a period of exhilarating cognitive challenge. Rather, it is the aesthetic high point of the scene, precisely because we so clearly understand the full complexity of Sadie's response: her anticipation turning to sadness, her

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Anxious Breath

An Autoethnographic Exploration of Non-binary Queerness, Vulnerability, and Recognition in Step Out

Lara Bochmann and Erin Hampson

sense of control and its anticipation in approaching and crossing physical and metaphorical thresholds and the implications this can have for us. Although, while our experience of violence instigated the making of the film and has been an important

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Toward a Model of Distributed Affectivity for Cinematic Ethics

Ethical Experience, Trauma, and History

Philip Martin

-making that draw not only on what actions are immediately available, but also on how these availabilities are presented, their sustained affective impacts, and our anticipations, beliefs, memories, and habits. With respect to art, institution articulates

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Acoustic Startles in Horror Films

A Neurofilmological Approach

Valerio Sbravatti

effective: Hitchcock himself reportedly said that “[t]here is no terror in the bang, only in the anticipation of it” (quoted in Perron 2004: 1 ). For his part, John Carpenter affirms that “the trick is to scare [the audience] when they least expect it