activated, for present-day audiences, by representations of personal aspiration and acquisitive desire that the playwright dramatically embeds in ventures associated with seascapes that have recently acquired an uncanny topicality. Indeed, in the two plays
Mobility, Liquidity and History in Shakespeare’s Mediterranean
Rui Carvalho Homem
The New Wave of Finnish Girls' Literature
This article examines four works of contemporary Finnish girls' literature. The main focus is on the analysis of various aspects of sexuality represented in the novels in relation to these two questions: How do they depict adolescent female sexuality in comparison to the generic conventions and the history of girls' literature? Do the representations expand, change, preserve and/or challenge the genre? The noticeable change is that the desire and love depicted in contemporary Finnish girls' literature can be lesbian and bisexual. However, although these representations of sexuality challenge some generic limits, the genre characteristics of girls' literature seem to have remained relatively unchanged.
Hegemony, Development, and Desire in Guatemalan Export Agriculture
Edward F. Fischer and Peter Benson
This article examines non-traditional export production of broccoli, snow peas, and other crops in Guatemala. Focusing on Maya farmers, exporters, and government development officials, we trace the production of the desire to grow these crops, to make some extra money, and to enhance local and national economies. We find that the export business has left farmers shortchanged even as it has opened new possibilities of algo más (something more or better). We examine how this empirical paradox has emerged from the convergence and divergence of power relations and affective desires that produce the processes known as 'hegemony' and 'resistance'. We conclude by considering alternative ethnographic strategies for understanding the multifarious connections between power and desire, hegemony and culture.
In 1988, Michelle Fine explored the ways in which damaging patriarchal discourses about sexuality affect adolescent girls, and hinder their development of sexual desire, subjectivities, and responsibility. In this article, I emphasize the durability and pliability of those discourses three decades later. While they have endured, they shift depending on context and the intersections of girls’ race, class, and gender identities. Calling on ethnographic research, I analyze the intersectional nuances in these sexual lessons for Latina girls in one (New) Latinx Diaspora town.
De quelques transformations contemporaines des villages
Turkish society is now predominantly urban, and, in this context, villages are undergoing significant changes. The principal one is that they have become a resource. Until recently, the village - even if it had resources - was not looked on as such; rather, it was seen as a milieu with which people had to cope. This transformation, however, does not end there: the village has also become an object of desire.
In the rethinking of cosmopolitanism that has been under way in anthropology the emphasis in the European tradition of thought, pertaining to humanity in general and universal values, has been replaced by focus on specific and new cosmopolitan peoples and sites. Cosmopolitanism ceases to be only a political idea, or an ideal, and is conceptualized also in terms of practice or process. A vocabulary of 'rooted cosmopolitanism', 'vernacular cosmopolitanism' and 'actually existing cosmopolitanisms' has emerged from the characteristically anthropological acknowledgment of diversity and inevitable attachments to place. This article accepts such an approach, but argues that it has neglected the presence and intense salience of the ideas of cosmopolitanism held by nation states. Such ideologies, especially those promulgated by authoritarian states, penetrate deep into the lives and thoughts of citizens. The article draws attention to the binary and contradictory character of nation state discourse on cosmopolitanism, and to the way this creates structures of affect and desire. The Soviet concept of kosmopolitizm is analyzed. It is contextualized historically in relation to the state discourse on mobility and the practice of socialist internationalism. The article argues that although the Stalinist version of kosmopolitizm became a poisonous and anti-Semitic accusation, indeed an instrument of repression, it could not control the desire created by its own negativity. Indeed, it played a creative and integral part in the emergence of a distinctive everyday cosmopolitanism among Soviet people.
stay in control because they desire the freedom offered through sleep and dreaming. In these essays, Dickens finds the bedroom space to be too inhospitable and a dangerous threat to his masculinity, and so leaves this space regularly to enter the public
While permitting other types of exploitation such as racism. With its emphasis on separate spheres, its depiction of Florence's superhuman healing powers, and its concern with redeeming the patriarch, Dombey and Son certainly seems more interested in a mildly gradual improvement of the status quo than in radical change. Yet to ignore Florence's desire, however conveniently that desire sometimes feeds into patriarchal dominance, is to overlook not only a complex portrayal of female sexuality that is neither condemned nor entirely denied, but also a depiction of the painful and difficult task of molding desire into culturally acceptable forms. Although the novel cannot imagine a full integration of women into the 'masculine' realm of politics and business, the dilemma of Florence and Edith in some ways reflects the problematic posed by conflicting concepts of twentieth and even twenty-first century feminism: does one, like Florence, focus on inclusion and acceptance in an attempt to change patriarchal structures from within, thereby abandoning truly radical change; or does one, like Edith, insist on rebellion from the margins, sacrificing community and risking the possibility that the center will conveniently ignore the margin's demands?
Displacement and Desire amongst Syrian Refugee Women in Jordan
Morgen A. Chalmiers
demographic focus … [on] population growth’, policy-makers and multinational development organisations have rarely considered the why of wanting children, or what Inhorn refers to as ‘child desire’ (1996: 230). This article builds upon this work by asking
The Politics of Culture in the Rape Trial of Jacob Zuma
Thembisa Waetjen and Gerhard Maré
This article examines the recent trial of ANC president Jacob Zuma, and how gender power was framed in respect to, and within, the politics of culture. The trial centred on allegations of rape by Zuma of an HIV positive woman many years his junior, who was also the daughter of a former anti-apartheid struggle comrade. All of these details were considered pertinent, not only to the legal debates about whether a crime had been committed, but also to the political debates raging around the nation's key challenges of high rates of sexual violence and the 'denialist' state response to devastating levels of HIV infection. Many Zuma supporters saw the accusation of rape as politically motivated and as evidence of an anti-Zuma conspiracy. In visibly smaller numbers, women's rights groups were present on the streets as well, trying to draw attention to the general problem of the nation's extraordinarily high rates of sexual violence and the general failure of the justice system to address cases of rape. The article argues that the fervour surrounding this trial, the burning political question of women's status was continually cast as a private matter: debates about relations between men and women came to be focused on issues of propriety, behaviour and etiquette rather than on questions about rights and power. In short, the privatisation of gender was effected through the politics of culture. As culture is politicised as a legal and secular 'right', gender is de-politicised to become a normatively 'private' and 'customary' domain. This is not merely a South African dilemma, but a dilemma which is con-concomitant to the social conditions of modernity itself.