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Claudia Mitchell

This first issue of Girlhood Studies in 2015 heralds the beginning of our move from two to three issues a year. This change acknowledges the burgeoning interest in Girlhood Studies as an academic area, and the increase in submissions from contributors. It also acknowledges the global context for work on girlhood. Indeed, as part of this exciting time, we bring to the Girlhood Studies community the second in a series of themed issues focusing on girlhood in different geographic and political contexts. Thus, following “Nordic Girls’ Studies: Current Themes and Theoretical Approaches” (Girlhood Studies 6:1), and in collaboration with the guest editors of that issue, we present this special issue on “Girlhood Studies in Post-Socialist Times.” The mock-up in Figure 1 offers a transliteration of the logo on the cover of Girlhood Studies into Russian; it was created for the first Russian Girlhood Studies conference, “Girlhood Studies: Prospects and Setting an Agenda” held in Moscow on 7 December 2012 at the Gorbachev-Foundation. This conference was a momentous event, attended by Mr. Gorbachev himself, that brought together scholars from various Russian universities and institutions to consider what Girlhood Studies as an interdisciplinary area of feminist scholarship could look like. Many of the presentations at that conference are now articles in this themed issue.

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Claudia Mitchell

This Special Issue of Girlhood Studies: An Interdisciplinary Journal highlights a unique moment in history in two ways. First, it offers a collection of articles based on presentations made at the inaugural International Girls Studies Association

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A Call to Action

Creativity and Black Girlhood

Crystal Leigh Endsley

to action is urgent. The call situates Black Girlsstudies as actionable space and emphasizes working from a place of love. In order to insist on this ethic of love, Brown also insists that we read her work in a way that “invite[s] a Black

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Melanie Kennedy and Natalie Coulter

contemporary social anxieties and debates about vulnerable group members’ uses and navigations of new media (newer at least than the platforms and technologies girls studies scholars such as Harris were writing about over a decade ago) get projected. It seems

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Claudia Mitchell

based on connections. The links currently being forged between the International Girls Studies Association (IGSA) and Girlhood Studies is part of this. And our managing editor, Ann Smith, so exemplifies this in encouraging new academics to review

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Making It Up

Intergenerational Activism and the Ethics of Empowering Girls

Emily Bent

( Downes et al. 2013 ; Huisman 2008 ; Mitchell and Reid-Walsh 2013 ). Whereas we, as girlsstudies scholars seek to actively disrupt and blur relational patterns of power in order to improve the lives of the girls we study ( Ackerly and True 2008

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Dayna Prest

Susanne Gannon, is an exciting contribution to conversations in girl studies, memory studies, and feminist methodologies. Drawing on post structuralist theories of Deleuze (1998) and Butler (1990 , 2009 ), the chapters of this book explore the production

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More Than Just a Simple Refrain?

The Figure of the Girl in International Cinema

Elspeth Mitchell

Handyside and Kate Taylor-Jones, is a welcome and important contribution at the intersection of girls studies and feminist film theory. As the editors suggest in their introduction, the girl is a figure that enables debate; in this volume we find a worthy

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Anastasia Todd

the dynamic, robust community of disabled girls online. Generally, in girlsstudies scholarship, the intersection of being a girl and being disabled is rarely explored ( Stienstra 2015 ). Disability is most often “framed as a problem or lack,” and

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Attitude or Age

Girlhood in Renaissance England

Reina Green

discussions even as we remain cognizant that there is nothing essential about either ‘girls’ or ‘women’” (203). As the first book-length study of girlhood in English Renaissance literature, it will appeal to scholars interested in girl studies as well as in