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Overlapping Time and Place

Early Modern England’s Girlhood Discourse and Indigenous Girlhood in the Dominion of Canada (1684-1860)

Haidee Smith Lefebvre

Handiwork of Will .” Pp. xiii – xliv in E. Pauline Johnson, Tekahionwake: Collected Poems and Selected Prose , ed. Emily Pauline Johnson , Carole Gerson and Veronica Jane Strong-Boag . Toronto : University of Toronto Press . Goeman , Mishuana

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Speaking Our Truths, Building Our Strengths

Shaping Indigenous Girlhood Studies

Kirsten Lindquist, Kari-dawn Wuttunee, and Sarah Flicker

other sexual and reproductive health issues.” The poem, “Mipit” by Amanda Buffalo celebrates the ways in which young people are renewing their traditions, reclaiming their histories and culture, and revitalizing their communities. Two reviews conclude

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Becoming a Gentleman

Adolescence, Chivalry, and Turn-of-the-Century Youth Movements

Kent Baxter

are interspersed with poems, represent long narratives told by three narrators. First, Sir Richard Dalyngridge, a Norman knight, describes his adventures in England during the late eleventh and early twelfth centuries, which include occupying a Saxon

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Working with the Cold War

Types of Knowledge in Swedish and Australian History Textbook Activities

Niklas Ammert and Heather Sharp

complexities of the Cold War by requiring them to “design a cartoon or write a poem to express your ideas.” 44 Here, pupils will need to refer to and build on the knowledge they have gained throughout the unit on the Cold War and also post–Cold War conflicts

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“Hitlermania”

Nazism and the Holocaust in Indian History Textbooks

Basabi Khan Banerjee and Georg Stöber

Nuremberg, 1937” (106). The text also cites a poem by Bertolt Brecht, “The Burning of the Books” (107). Further images include pictures and sources illustrating the war and the conference at Yalta, and a map of Nazi concentration camps in Europe (133). The

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Thebes Troutman as Traveling Tween

Revising the Family Story

Margaret Steffler

and glue and glitter” (93). Her body is imprinted in a bizarre second-hand way as a result of sleeping on one of her poems, which leaves “small letters inscribed backwards on one of her cheeks” (183). In decorating herself she becomes creator and

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The Girl

Dead

Fiona Nelson

is being relentlessly bullied. Edna St. Vincent Millay’s 1937 poem, “Childhood is the Kingdom where Nobody Dies,” captures the cultural conviction that the intact simplicity of childhood ends when one experiences a significant death, such as that of

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Memory Makers of the Great Patriotic War

Curator Agency and Visitor Participation in Soviet War Museums during Stalinism

Anne E. Hasselmann

2015): 6–28, here 14. 10 Compared to the wealth of research on the mobilizing impact of Soviet art (movies, literature, print media, photography, sciences, poems, and music) during the war, the role of Soviet museums as a mass medium has been largely

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Penny Welch and Susan Wright

Molina describe and evaluate an experiential learning activity about Marx’s theory of alienation. Students were asked to produce a work of art or a poem and then to explain what inspired their creation. The tutors then shocked the students by telling them

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Buffeted by Political Winds

Children’s Literature in Communist Romania

Adrian Solomon

intentions, while domestically contrasting the Communist “doves” with the foreign capitalist “hawks.” The guiding principle was that poems, short stories, and novellas must be “weapons in the hands of the working people,” as stated in a 1952 meeting of